Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo explainer (1 Oct 2012) on Kopkamtib, set up by Suharto on 2 Oct 1965 as the 'super organisation' that planned and drove the mass killings and detentions (Komnas HAM names it chief perpetrator). It notes army-controlled media showing Lubang Buaya photos with stories that Gerwani women tortured the generals, and ci
Tempo piece (1 Oct 2012) on how Joshua Oppenheimer met perpetrators, from Matapao plantation workers to Anwar Congo and the Pasukan Kodok / Pemuda Pancasila in Medan. It cites Amir Hasan's pamphlet 'Embun Berdarah' on Teluk Mengkudu, which lists 702 PKI-linked villagers by affiliation, including Gerwani, and records an
Tempo explainer (1 Oct 2012) on victim statistics for 1965-66 (estimates 200,000 to 3 million; most likely about half a million), weighing the Oei Tjoe Tat commission's 78,000, Kopkamtib's 1 million, Sarwo Edhie's 3 million and census evidence. It notes army propaganda about torture of the generals at Lubang Buaya was
Tempo report (1 Oct 2012) on Operasi Kalong (Jakarta, from Aug 1966) and Trisula (Blitar, 1968), Kopkamtib interrogation and torture sites (Gunung Sahari II, Plantungan, Jalan Gandhi, Kemaro, Moncongloe), with torture methods (electric shock, stingray whip, 'ayat kursi'). It lists other intelligence task forces, one at
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Global Voices feature (30 Oct 2015; Indonesian repost 2016) on AJAR's project interviewing 26 women survivors, with photos and testimony of Vena Taka, Kadmiyati, Frangkina Boboy and Migelina Markus. Women survivors' testimony and demands for justice.
IPT 1965 prosecution indictment (posted 28 Oct 2015) charging the Indonesian state under Suharto with crimes against humanity and the US, UK and Australia with complicity; the preamble cites hate propaganda painting the PKI as 'hyper-sexual' and sexual violence.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
AJAR and partner submission to UN Special Rapporteur Juan Mendez (Oct 2016) arguing 1965 detainees' right to rehabilitation for torture remains denied, citing Law 26/2000 and stalled Komnas HAM findings; partners include women survivors' groups.
Web edition of the final report of the seven judges of the International People's Tribunal 1965 (The Hague, Nov 2015; report 20 July 2016): finds Indonesia responsible for crimes against humanity, including sexual violence and hate propaganda, and the US, UK and Australia complicit.
Final Report of the IPT 1965 judges (20 July 2016, The Hague/Jakarta): origins after The Act of Killing, Saskia Wieringa and Nursyahbani Katjasungkana's roles, and legal reasoning on killing, detention, torture, sexual violence and propaganda. Key text on international legal findings.
KBR report (23 Dec 2016) on former women prisoners and a Komnas Perempuan team visiting the Plantungan camp site: testimonies of Sumilah (forced to admit Gerwani membership, stripped) and Debora Oni, and the Lubang Buaya slander. Memorialisation of Plantungan.
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Tempo editorial note (18 Apr 2016), recalling a 1978 Kartini Day feature on the women's movement from Aceh 1614 to the 1970s. It describes Kowani's formation (1946), Perwari's protest over Sukarno's 1954 marriage to Hartini, Perwari being squeezed as Gerwani, 'affiliated with the PKI', gained influence, and Gerwani ste
Merdeka.com feature (2012; YPKP repost 2017) visiting the demolished Bukit Duri women's prison: neighbours recall a 1975 escape by three alleged Gerwani women, and journalist Sri Sulistyawati describes eleven years held there without trial. Memory of a women's detention site.
Historia article (2017) tracing the Indonesian women's federation from the 1928 congress to its capture by the New Order in 1966, framed by Ruth Indiah Rahayu's view that the movement 'died' and was confined to Dharma Wanita and PKK. Popular history.
Historia article (4 Oct 2017, preview only) on seven women political prisoners at Plantungan, the women's 'Pulau Buru' at the foot of Mount Prau, with historian Amurwani Lestariningsih on the inmates (Gerwani, CGMI, PKI sympathisers, some arrested by mistake). Partial text.
Historia report (17 Mar 2017) on a Komnas Perempuan/YLBHI/IPT 65 session on sexual violence after 1965, opening with Bedjo Untung's case of Zaenab, a 12-year-old in Pekalongan stripped and repeatedly raped by soldiers. Testimony on sexual violence.
Ruth Indiah Rahayu's 2017 essay contrasting pre-G30S state instructions on women's organisations: the Army's domestication ('koncowingking', Panca Dharma Wanita) versus radicalisation tied to revolution, locating Gerwani's politics against the militarist model. Interpretive essay.
Ruth Indiah Rahayu's 21 Dec 2017 essay periodising the Indonesian women's movement in six phases from Ethical Policy schooling through nationalism to 'koncowingking' New Order destruction and later revival. Synthetic overview.
Historia feature (2017) on Karnah Sukarta (b. 1940, Ciamis), bronze medallist in javelin at the 1958 Asian Games, a Sukarno-admiring student reportedly joined Gerwani in Kawali, arrested after 1965 and held in Bandung. Biography of an athlete linked to Gerwani.
Historia article (2018, preview only) on why 8 March was not commemorated under Suharto, noting that Gerwani pioneered Women's Day commemoration from the 1950s and made Clara Zetkin compulsory reading. Partial text, drawing on Martyn.
Historia feature (2018) on how the New Order subordinated the women's movement after 1965, branding politically minded women 'like Gerwani' and portraying Gerwani as beautiful but cruel, and how independent organising revived from the 1980s. Draws on Suryakusuma and Murniati.
Ruth Indiah Rahayu's 16 Aug 2018 essay on women's narratives of the Indonesian Revolution, arguing 17 Aug 1945 is one occurrence in a complex event and that male-authored histories centre elites. Historiographical essay; Gerwani peripheral.
Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.