ICTJ and KontraS report (March 2011) on transitional justice since 1998: inquiries launched then stalled, Attorney General inaction on Komnas HAM files, zero convictions in human rights courts, reparations tied to missing verdicts. Context for the impunity facing 1965 victims.
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
Tempo column (1 Oct 2012) arguing that reconciliation must start from perpetrators' confession. Discusses victim-count disputes (78,000 to 3 million), The Act of Killing and Anwar Congo, Gus Dur's apology versus NU refusals, the Palu mayor's apology, and calls for lifting the ban on Marxism. Gerwani is not mentioned.
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Global Voices feature (30 Oct 2015; Indonesian repost 2016) on AJAR's project interviewing 26 women survivors, with photos and testimony of Vena Taka, Kadmiyati, Frangkina Boboy and Migelina Markus. Women survivors' testimony and demands for justice.
IPT 1965 prosecution indictment (posted 28 Oct 2015) charging the Indonesian state under Suharto with crimes against humanity and the US, UK and Australia with complicity; the preamble cites hate propaganda painting the PKI as 'hyper-sexual' and sexual violence.
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Berita Harian, 14 Nov 2015 (lead only). On day two of the International People's Tribunal 1965 in The Hague, witnesses described sexual abuse; the lead introduces Tintin Rahayu (a pseudonym), who was among student leaders. Relevant to testimony on sexual violence and justice.
Web edition of the final report of the seven judges of the International People's Tribunal 1965 (The Hague, Nov 2015; report 20 July 2016): finds Indonesia responsible for crimes against humanity, including sexual violence and hate propaganda, and the US, UK and Australia complicit.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.