Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo explainer (1 Oct 2012) on Kopkamtib, set up by Suharto on 2 Oct 1965 as the 'super organisation' that planned and drove the mass killings and detentions (Komnas HAM names it chief perpetrator). It notes army-controlled media showing Lubang Buaya photos with stories that Gerwani women tortured the generals, and ci
Tempo explainer (1 Oct 2012) on victim statistics for 1965-66 (estimates 200,000 to 3 million; most likely about half a million), weighing the Oei Tjoe Tat commission's 78,000, Kopkamtib's 1 million, Sarwo Edhie's 3 million and census evidence. It notes army propaganda about torture of the generals at Lubang Buaya was
IPT 1965 prosecution indictment (posted 28 Oct 2015) charging the Indonesian state under Suharto with crimes against humanity and the US, UK and Australia with complicity; the preamble cites hate propaganda painting the PKI as 'hyper-sexual' and sexual violence.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
Web edition of the final report of the seven judges of the International People's Tribunal 1965 (The Hague, Nov 2015; report 20 July 2016): finds Indonesia responsible for crimes against humanity, including sexual violence and hate propaganda, and the US, UK and Australia complicit.
Final Report of the IPT 1965 judges (20 July 2016, The Hague/Jakarta): origins after The Act of Killing, Saskia Wieringa and Nursyahbani Katjasungkana's roles, and legal reasoning on killing, detention, torture, sexual violence and propaganda. Key text on international legal findings.
KBR report (23 Dec 2016) on former women prisoners and a Komnas Perempuan team visiting the Plantungan camp site: testimonies of Sumilah (forced to admit Gerwani membership, stripped) and Debora Oni, and the Lubang Buaya slander. Memorialisation of Plantungan.
Anett Keller's German briefing (March 2016, Stiftung Asienhaus) on the neglected gender dimension of 1965: Lubang Buaya slander, the film and monument, tattoo hunts, sexual torture, forced marriages of widows, Plantungan and 'State Ibuism'. Written after the IPT 1965.
Wieringa's 2017 insider account, as chair of the IPT 1965 foundation, of the tribunal's rationale, genesis (a 2013 meeting with Oppenheimer, Stanley Prasetyo and Nursyahbani Katjasungkana), structure and July 2016 conclusions. Background on the tribunal's organisation.
Historia report (17 Mar 2017) on a Komnas Perempuan/YLBHI/IPT 65 session on sexual violence after 1965, opening with Bedjo Untung's case of Zaenab, a 12-year-old in Pekalongan stripped and repeatedly raped by soldiers. Testimony on sexual violence.
Muslim Pohan's 2018 short article on the sexual politics and slander against women's organisations in the shift to the New Order, relying on Wieringa; includes the army's takeover of the army-wives' organisation Persit and Kowani dropping 8 March. Secondary synthesis.
Historia feature (2018) on how the New Order subordinated the women's movement after 1965, branding politically minded women 'like Gerwani' and portraying Gerwani as beautiful but cruel, and how independent organising revived from the 1980s. Draws on Suryakusuma and Murniati.
Nelly van Doorn-Harder's 2019 article on how Komnas Perempuan took up 1965 women survivors (2006 delegation, 2007 report), arguing the violence and stigma were justified as 'purification' and Gerwani women were cast as 'the most impure of all'. Gender and religious logic of impurity.
Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.