Tempo.co book notice (9 May 2010) on Saskia Wieringa's Indonesian edition of 'Penghancuran Gerakan Perempuan' (Galangpress 2010, transl. Harsutejo). Recounts the military propaganda of naked dancing, razor-cutting and castration at Lubang Buaya, Wieringa's rebuttal from 1982-85 interviews and autopsy results, and Siti
Tempo.co book notice (17 May 2010) (second Tempo.co version, with a lead on the penis-cutting allegation) on Saskia Wieringa's Indonesian edition of 'Penghancuran Gerakan Perempuan' (Galangpress 2010, transl. Harsutejo). Recounts the military propaganda of naked dancing, razor-cutting and castration at Lubang Buaya, Wi
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo explainer (1 Oct 2012) on Kopkamtib, set up by Suharto on 2 Oct 1965 as the 'super organisation' that planned and drove the mass killings and detentions (Komnas HAM names it chief perpetrator). It notes army-controlled media showing Lubang Buaya photos with stories that Gerwani women tortured the generals, and ci
Tempo report (1 Oct 2012) on the Plantungan camp (Kendal) for women Group B political prisoners, opened 1971 in a former leprosarium. Names Gerwani activists and others held there: Sumiyarsi Siwirini ('Lubang Buaya doctor'), Siti Suratih, Mia Bustam, Pujiati, C.H. Sumarmiyati, Mujiati. Covers conditions, 'santi aji' in
Tempo explainer (1 Oct 2012) on victim statistics for 1965-66 (estimates 200,000 to 3 million; most likely about half a million), weighing the Oei Tjoe Tat commission's 78,000, Kopkamtib's 1 million, Sarwo Edhie's 3 million and census evidence. It notes army propaganda about torture of the generals at Lubang Buaya was
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
PhD dissertation in History (UCLA, 2014) by Dahlia Gratia Setiyawan on U.S. anti-communist operations and the 1965-66 purge in Surabaya. Gerwani appears in context: as the PKI's women's affiliate (ch. 1), through the Surabaya women's coalition GOWS in the 27 September 1965 Grahadi demonstration (ch. 4), and in the Army
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Tempo.co report (9 Oct 2015) on a Yogyakarta (UIN Sunan Kalijaga) discussion of Saskia Wieringa's book on the destruction of the women's movement. It summarises her argument that the military slandered Gerwani over Lubang Buaya as a pretext to kill; army press libel, and women forced to dance naked while soldiers photo
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Wieringa's 2017 insider account, as chair of the IPT 1965 foundation, of the tribunal's rationale, genesis (a 2013 meeting with Oppenheimer, Stanley Prasetyo and Nursyahbani Katjasungkana), structure and July 2016 conclusions. Background on the tribunal's organisation.