Gerwani Archive
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GA-02303 2023-09-17 Tempo rel B licensed

Mengapa Para Eksil Peristiwa 1965 Tak Mau Pulang? (Tak Lagi Berharap Pulang)

Tempo, 17 September 2023: Why 1965 exiles will not return home

Tempo report (17 Sep 2023, Raymundus Rikang and Stefanus Pramono) on 1965 exiles who decline to return despite visa and residence facilities offered by ministers Mahfud Md. and Yasonna Laoly in Amsterdam and Prague. Sri Budiarti (Aachen, ex-student in Budapest) demands truth and an apology and removal of the stigma tha

GA-02308 2024-12-15 Tempo rel B licensed

Isi Buku Harian Francisca Fanggidaej untuk Anak-Anaknya (Catatan Eksil)

Tempo, 15 December 2024: Inside Francisca Fanggidaej's diaries for her children (notes of exile)

Tempo magazine article (15 Dec 2024, Dian Yuliastuti and Iwan Kurniawan) on Francisca Fanggidaej's papers at the IISH, Amsterdam, notably her diaries 'Sasja' and 'Nila' written in exile in Beijing from Oct 1965 to her children. Her daughters recall the family's separation, stigma at school and her later reunion. It not

GA-02859 2025 rel A

Transformasi Gerwani: Keterlibatan dalam Perjuangan Gender hingga Stigmatisasi Pasca 1965 (Aisyah, 2025)

Transformation of Gerwani: gender struggle to post-1965 stigmatisation (Aisyah, 2025)

Rania Dhiyaulhaq Aisyah, 'Transformasi Gerwani' (Jurnal Sejarah Indonesia 8:2, 2025), a literature-based article on Gerwani's pre-1965 gender activism (education, health, anti-polygamy, 1955 elections, PKI ties, congresses) and its post-1965 stigmatisation. It repeats Wieringa's finding that the Lubang Buaya sexual-vio

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)