Part II of Nadia's essay (südostasien 3/2020): how the army and paramilitaries used sexualised violence to destroy Gerwani after Oct 1965, the Lubang Buaya slander and film, 1966 tattoo 'searches', and New Order redefinition of women's roles. In German.
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation
Tempo essay (2 Oct 2021) by I Gusti Agung Ayu Ratih on why Gerwani did not criticise Sukarno's polygamy. It recounts Kowani expelling Gerwani on 29 Oct 1965 and removing Hurustiati Subandrio in 1966, the erasure of Gerwani from women's movement history, Perwari rivalry, Gerwani members' reverence for Sukarno, and anti-
PhD dissertation (Northwestern, June 2023) by Sabina Satriyani Puspita in political science on how the 'reformist' women's movement wins policy change through 'stealth politics', using the 2021 Regulation 30 on campus sexual violence. Gerwani appears in historical chapters: the 1965 stigmatisation and the sexual-dance/
Rania Dhiyaulhaq Aisyah, 'Transformasi Gerwani' (Jurnal Sejarah Indonesia 8:2, 2025), a literature-based article on Gerwani's pre-1965 gender activism (education, health, anti-polygamy, 1955 elections, PKI ties, congresses) and its post-1965 stigmatisation. It repeats Wieringa's finding that the Lubang Buaya sexual-vio
Tempo.co interview (11 Nov 2025, Shinta Maharani and Juli Hantoro) with Saskia Wieringa, known for Gerwani research, on Suharto's designation as national hero. She says it perpetuates symbolic violence and impunity (Drexler), recalls the brutal 1965 slander of Gerwani and the 'Gerwani baru' label, and argues Suharto de
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)