Photograph (24 Nov 2020) of a museum diorama of the recovery of the generals' bodies from the Lubang Buaya well, with frogman figure, coffins and red-bereted soldiers. Visual record of the official Lubang Buaya display.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation
Tempo feature (1 May 2021) on publisher Ultimus (Bandung) reissuing works by woman writer S. Rukiah, banned after 1965 because she was jailed as a Lekra activist: 'Kejatuhan dan Hati' and 'Tandus' (2017), children's book 'Pak Supi' (2018), and nine more children's titles found in libraries. Gerwani is not mentioned.
Tempo feature (2 Oct 2021, Riky Ferdianto and Mustafa Silalahi) on Umi Sardjono in Bukit Duri prison (detained 20 Oct 1965, solitary cell as category A, 'Senayan cluster' with Dahliar, Mudigdio, Salawati Daud, Kartinah Kurdi). Witnesses Mudjiati, Utati, Nani Nurani Affandi describe forced confessions of Lubang Buaya da
Op-ed by Ita Fatia Nadia in Tempo (2 Oct 2021) tracing the army-controlled press campaign from 7 Oct 1965 that cast Gerwani as sexually sadistic, contradicted by the military doctors' autopsy (Roebiono Kertapati). It links the slander to the mass killings, Kowani's expulsion of Gerwani (29 Oct 1965), Lubang Buaya volun
Tempo editor's note (2 Oct 2021, Moyang Kasih Dewi Merdeka and Seno Joko Suyono) on why the magazine rewrote Umi Sardjono's life. It describes her silence after release, trauma and fear of surveillance (Wieringa 1981, Pohlman 2005), her arrest at Senayan and Bukit Duri detention, the lack of memoir or traces, and sourc
English edition of the Tempo editors' note 'Umi Sardjono and Allegations Against Gerwani' (4 Oct 2021, Moyang Kasih Dewi Merdeka) introducing the special report. It describes Umi's silence, trauma and fear of surveillance (Wieringa 1981, Pohlman 2005), her arrest at Senayan and detention at Bukit Duri, the absence of m