Bedjo Untung Plays Genjer-Genjer (Video Clip, 2020)
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.
Buru Island: Still Much More to Reveal (Hearman, 2020)
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
Filmed Memories of 1965 (Elsa Clavé, 2020)
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Memory transmission and reconciliation discourse in Ugoran Prasad's short story 'Perempuan Sinting di Dapur' (Jati, 2020
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
Milestones of the Indonesian women's movement (Historia, 2020)
Historia report (22 Dec 2020) on an online dialogue with Ita Fatia Nadia and Tunggal Pawestri sketching milestones of the Indonesian women's movement from Kartini and early organisations through the 1928 congress. Short popular summary.
Memory transmission of 1965 in the novels Pulang and Amba (Mulyadi and Putra, 2021)
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.
Social and economic life of ex-tapol in South Blitar 1968-2000 (Masruroh et al., 2022)
2022 article by a Universitas Jember team on ex-political prisoners in South Blitar 1968-2000: weekly reporting, loss of civil rights (1.58 million excluded from the 1982 election), the 'ET' ID code and bans on marrying soldiers. Context on post-release control.
Political subject in Martin Aleida's short story 'Ode untuk Selembar KTP' (Nugroho, 2022)
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.
Exile trauma and gender in the novel Pulang: Hirsch's postmemory (Putra et al., 2024)
2024 article analysing Leila Chudori's novel Pulang through Hirsch's postmemory and gender: an exile in Paris passes trauma to his daughter Lintang via objects and letters. Literary context.
I Don't Want to Die for Nothing in Prison: life of a former 1965-66 political prisoner (Hidayat, 2025)
2025 single-case phenomenological study of an 86-year-old male former political prisoner (interviews via KontraS, 2024): union worker, arrest in 1966, torture, forced labour at Tangerang, Nusakambangan and Buru, later Aksi Kamisan activism. Male testimony; context only.
McGregor's 2025 chapter reading Francisca Fanggidaej's 2006 memoir (narrated to Hersri Setiawan) and IISH papers as a decolonial text: her Rotinese colonial-official father, racism in Penang, and critique of colonial hierarchies. Biography of a WIDF-linked Indonesian woman.
Traumatic Memory and Family Dynamics of Political Prisoners in Chudori's Namaku Alam (Karim et al., 2025)
2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.
Genjer-genjer (English Wikipedia, accessed 2026-10-13)
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.