Exile trauma and gender in the novel Pulang: Hirsch's postmemory (Putra et al., 2024)
2024 article analysing Leila Chudori's novel Pulang through Hirsch's postmemory and gender: an exile in Paris passes trauma to his daughter Lintang via objects and letters. Literary context.
Artikel 2024 yang menganalisis novel Leila Chudori Pulang lewat postmemory Hirsch dan gender: seorang eksil di Paris menurunkan trauma kepada putrinya Lintang lewat benda dan surat. Konteks sastra.
2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.
shared: Leila S. Chudori, Marianne Hirsch, exile, second generation
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.
shared: Leila S. Chudori, exile, second generation, literary work
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
shared: Marianne Hirsch, second generation, literary work, theory and method
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
shared: Marianne Hirsch, second generation, literary work, theory and method
2023 UNY article on how three post-Reformasi novels by women authors (Ayu Utami's Manjali dan Cakrabirawa, Leila Chudori's Pulang, Laksmi Pamuntjak's Amba) re-interpret facts of G30S, including Buru detention and 'PKI descendant' stigma. Literary context.
shared: Leila S. Chudori, exile, literary work, art, literature and music
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
shared: second generation, literary work, art, literature and music
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
shared: literary work, theory and method, art, literature and music
Viola Lasmana's 2018 USC dissertation reading literary, film and digital works as 'shadow imagination' counter-archives that talk back to the New Order master archive of 1965. Literary-cultural study; Gerwani peripheral.
shared: literary work, theory and method, art, literature and music