1948 – 2026
Thirty-one production photographs from Edhi Sunarso's studio of life-size figures for the Lubang Buaya 'torture house' diorama, showing generals, bound captives and assailants in fatigues. Shows how the Lubang Buaya scene was physically fabricated.
Seventeen photographs of the sculptors' group Keluarga Arca installing miniature dioramas (Yani abduction, Lubang Buaya training, recovery of bodies) c. 1980-81, plus later life-size figures. Visual evidence of how the Paseban dioramas were made.
Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
De Waarheid report (24 Jul 1948) on a Perhimpunan Indonesia group of Indonesian workers and students performing dances and songs in Paris and Saint-Denis at WIDF invitation during its women's exhibition. An Indonesian woman greeted French women; the piece notes Kowani is a WIDF member. No Gerwis/Gerwani and no named In
De Locomotief, 22 Aug 1950: announcement of a Semarang singing competition in September, with Annie Landau, Ribut Rawit and Sulami among the contestants; proceeds for a Chinese orphanage, invalids and the Indonesian war cemetery. Gerwis is not mentioned and this Sulami is probably not the Gerwani leader; identity uncon
De Waarheid, 15 Jan 1954, p. 2: brief notice that, in view of an upcoming Gerwis congress, the NVB organises an 'Indonesia evening' on 27 January in the Doelenzaal, Amsterdam, with a speech by Annie Averink, a reading from Max Havelaar by Bep van Geel and a film on Indonesian women's lives.
De Waarheid, 28 Jan 1954, p. 2: report on the NVB Amsterdam 'Indonesia evening' attended by about 200 women, with krontjong music, a reading from Multatuli, a film from the High Commission, and Annie Averink's speech on Indonesia's colonial past and on Gerwis's tens of thousands of members campaigning for a democratic
Cinema advertisement page in De Vrije Pers (20 Jul 1954) for Surabaya cinemas (Spanish Main, Dr. Jekyll and Mr. Hyde, an Indonesian film "Leilani" with Mochtar and Metty Herawati). No Gerwani content; archive tag to Tris Metty rests on a film-cast name only.
Het Nieuwsblad voor Sumatra (21 Aug 1954, p.1): the PKI central committee announces that three non-party leaders (Prof. Purbodiningrat, Dr Tjokronegoro and the painter Hendra Gunawan) will appear on its election list, and recalls earlier announcement that Taher Thajeb, Mrs Salawati Daud and Henk Ngantung agreed to stan
De Waarheid, 17 Aug 1955, p. 1: newspaper house advertisement for the day's issue marking ten years of the Indonesian Republic, pointing readers to the poem 'Vrijheid' by Sugiarti Siswadi on p. 1 and an article by Cor Geugjes on p. 3. The item contains no text on Gerwani itself.
De Waarheid, 17 Aug 1955, p. 1: Dutch-language poem 'Vrijheid' (Freedom) attributed to Sugiarti Siswadi, published for the tenth anniversary of Indonesian independence. It evokes freedom as sowing seed on one's own land, a full granary and children returning home. No mention of Gerwani.
Java-Bode, 15 March 1956, p. 2: installation of the new film censorship committee (chair Maria Ulfah Santoso) and film council at the education ministry. Among some thirty censorship members is Setiati Soerasto (Surasto), a figure from the 1953 Copenhagen delegation; the item gives no Gerwani affiliation or comment.
Indische Courant voor Nederland, 22 Mar 1956, p. 2: installation of the new Film Censorship Committee (chair Maria Ulfah Santoso) and Film Council; Setiati Surasto and S. Kartowijono are listed among the committee's members.
Pewarta Soerabaia, 3 Jan 1957, p. 4: Malang item on Gerwani Kota Besar Malang celebrating its sixth anniversary (30–31 Dec 1956) with a history of its founding, about 100 members and a sandiwara; page damaged.
Harian Rakjat, 16 Jan 1957, p. 3: women's page ('Wanita') with a short story by Sulami (Gerwani) about 'Yu Siyem', a village market woman and Gerwani branch activist who recruits neighbours, tours distant villages and wins her husband's support, showing membership expansion and the Anak-Cabang structure. Also Soviet sc
Java-Bode, 8 February 1957, p. 2: report on an exposition of national costumes and music by Pan-Pacific and Southeast Asian women's organisations at the Plaza Hotel, New York; Indonesian participants included Sukanti Surjotjondro, Nelly Kawilarang and Sulami Sujud. A second snippet about a clandestine bank on Bangka is
WIDF magazine 1958, International Women's Day feature 'Good Recipes around the World': tips on preparing vegetables and recipes from several countries, including two Indonesian dishes (beef fried with cloves and atjar cucumber salad), plus Bulgarian, Italian, Chinese. No Gerwani or political content.
Inaugural issue of Api Kartini (June 1959), published by Jajasan Melati with Maasje Siwi as editor in chief. Built around Hari Kartini: Kartini's writings and socialist reading, profiles, and contributions from S.K. Trimurti, Rukiah Kertapati and Sulami.
Second issue of Api Kartini (Jajasan Melati, 1959). Covers the Vienna World Youth Festival delegation, West Irian, World Children's Day, Pramoedya's call to publish Kartini's works, an interview with athlete Karnah, and health and household columns.
Api Kartini (1959) editorial column 'Celebrating National Day': after Indonesia's 17 August, urges readers to welcome the national days of friendly states upholding the Bandung principles. Features the Democratic Republic of Vietnam's 2 September National Day with a poem by Ho Chi Minh. Solidarity propaganda with Asian
Ottawa Citizen, 22 April 1959, p.27: society-page report of a Kartini Day tea and sherry party given by Mrs. L. N. Palar, wife of Indonesia's minister to Canada, marking the birthday of Kartini (b. 21 April 1879), described as a nationalist and pioneer of the Indonesian women's movement and symbol of women's emancipati
Mainichi Shimbun (Tokyo morning edition, 2 Sep 1959, p. 5): article on Asakura Setsu's travel piece on the women of Indonesia. The OCR is almost entirely scrambled, so this summary rests on the title and a few legible words; no named Gerwani member or Gerwani mention is visible.
US Monthly Indonesian Press Survey (1959-60) extracts. A review of the new monthly Api Kartini, published by Yayasan Melati and headed by Maasje Siwi, lists its editors (S. Asijah, Darmini, Parjani Pradono, S.K. Trimurti, Rukiah Kertapati and others). Parliamentary notes list Umi Sardjono (functional group for women) a
Fragmentary Api Kartini (1960) item 'Echoes of Revolution': OCR remnants of a rhetorical piece or poem on women marching, crushing colonialism, and demanding equal rights in politics and economy. Too damaged to summarise beyond title and these themes.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Bing Slamet (2:42, one track from a 29-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Lilis Suryani (2:45, one track from a 35-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
'Minah', a 1960 short story by Sulami in Women of the Whole World, winning that magazine's monthly contest. Set in colonial and Japanese-occupation Java: Minah fights for schooling at Kartini's school, is married off, then resists Japanese Commander Josida's attempt to take her as second wife; Josida is shot as the ind
Double issue (Apr–May 1961, 40 pp.) for Kartini Day and Education Day, dense with transnational content including a visiting Chinese cultural mission and embassy commemorations in Cairo, Rome, Moscow and New York.
July 1961 issue: interview on National Children's Week and education budget, Central Kalimantan customary law refuting colonial stereotypes, Sukarno's Manifesto against rock and roll, and French WIDF-affiliated women's press.
Women of the Whole World, 1961: staff writer Kate Lüders interviews Dagmar Bothas about a four-month government-guest visit to Java, Bali and Kalimantan, emphasising dance, music, temples and the literacy campaign (Minister Prijono). Gerwani appears only in a caption about May Day demonstrations; background material.
1961 short story 'The dawn is breaking' by Sulami, 'our Indonesian correspondent', in Women of the Whole World. Peasant woman Sarinah, active in the peasant organisation, explains the new Agrarian Act and land reform to village women, including women's right to own land and head households; landlords pay the government
WIDF magazine 1961 stamp feature 'In National Colours' on postage stamps of newly independent Asian and African states, commemorating liberation, public works, agrarian reform, education and women (Mongolia, Korea, Ceylon, UAR, Vietnam, China). An Indonesian stamp is listed among liberation-themed issues. Gerwani is no
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
One-line Xinhua item (22 Jun 1961, via FBIS): two Indonesian women writers, S. Rukiah Kertapati and Sugiarti Siswadi, left Peking for home after a visit to China; Chinese writer Yang Shuo saw them off. Records Lekra-circle women writers' PRC visit.
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
Berliner Zeitung literary page (p. 6) reviewing the Fifth German Writers' Congress (end of May 1961). A photo caption says numerous foreign delegates, among them Rukiah Kertapati from Indonesia, took part in the deliberations; delegates came from 24 countries. Identification with the Lekra-linked writer Rukiah is by th
One-line Xinhua item (25 Jun 1961, via FBIS): the two Indonesian women writers S. Rukiah Kertapati and Sugiarti Siswadi left Xi'an by air for home after two weeks as guests of the Union of Chinese Writers. Companion to GA-02474.
Het Rotterdamsch Parool report (27 Jun 1961, p.4) from the Berlinale: a gossip piece on an actress's torn dress, then mocking review of an Indonesian film 'Dappere vrouwen' (about Indonesian women's patriotism in the struggle for freedom), screened outside the festival, in which Dutch colonists are played by Indonesian
Article by Utami Suryadarma, chair of the Film Censorship Committee, reprinted in Varia (17 Jan 1962), explaining the committee's new approach to Western, socialist and Afro-Asian film imports under free-and-active foreign policy.
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
IISG photograph (c.1963): outdoor group photo of Francisca Fanggidaej, in glasses and striped blouse, with several men, one identified as the poet Agam Wispi. Identifications come from the file title; no caption text in the image.
Travel essay by M. L. Huber in Women of the Whole World, 1963, on a car journey from Jakarta toward East Java and Bandung, with a sweeping history of Indonesian civilisation, colonialism, the Round Table agreement and 1957 nationalisations, in a pro-Sukarno-era socialist-bloc framing. Gerwani is not mentioned.
Berita Harian (Singapore/Malaya), 24 May 1963: Kuala Lumpur report that the Federation government has banned 'Puisi Progresif Indonesia', a book written and translated by a PKI member, 'Bintang S...' (snippet cut off). The sweep guesses the author is Bintang Suradi, possibly the husband of Gerwani member Suwarti Bintan
Snippet-only Renmin Ribao item (30 Sept 1963, p. 4): a Chinese Fujian puppet troupe arrives in Indonesia at Gerwani's invitation and is welcomed at the airport by Gerwani leaders, including Mrs Suwati (vice-chair), Mrs Mudigdio and the general secretary. Evidence of Gerwani-China cultural exchange. Full text is GA-0190
Xinhua dispatch in Renmin Ribao (30 Sept 1963, p. 4): the Chinese Fujian puppet troupe led by Zhang Fang arrived in Jakarta on 29 September to perform at Gerwani's invitation. Gerwani vice-chair Suwati, Mudigdio and the general secretary (name garbled in translation) welcomed it, with a Chinese Embassy counsellor. Show
Snippet-only Renmin Ribao item (10 Oct 1963, p. 3): the Chinese Fujian puppet troupe leaves Jakarta for Yogyakarta, accompanied by a Gerwani Central Committee member (name uncertain), after two Jakarta performances. Full text is GA-01918.
Xinhua note in Renmin Ribao (10 Oct 1963, p. 3): the Fujian puppet troupe, after two Jakarta shows, flew to Yogyakarta, accompanied by a Gerwani Central Committee member (name uncertain). Planned tour: Solo, Malang, Surabaya, Semarang, Cirebon and Bandung. Shows Gerwani organising Chinese cultural tour across Java.
Api Kartini (1964) article 'Racism in the Land of Dollars' on discrimination against 19 million African Americans (Birmingham bombing, voting restrictions), condemning also the 10 May 1963 anti-Chinese racist riots in West Java. The page continues with a short piece on a May book fair at Gedung Pemuda and encouraging w
JPRS translation page (Translations on South and East Asia, 1964, seq 520) on a PKI national conference on revolutionary literature and art. Secretary Sudisman opens it; a 17-person presidium includes D.N. Aidit, Njoto, S. Rukiah and Mia Bustam from Central Java; Aidit reports on serving workers, peasants and soldiers
Moscow News (English), 25 April 1964, pp. 13-16 section. Includes a travelogue by a Soviet cultural-delegation member on Indonesia (new Jakarta monuments, Soviet-built stadium, 100,000 students, Lekra in Bandung) and a short item on a Moscow meeting marking Kartini's birth, run by the USSR-Indonesia Society's Women's C
Snippet-only Renmin Ribao item (22 July 1965, p. 4): Kang Keqing of the All-China Women's Federation hosts a banquet for a Gerwani puppet-art study delegation led by a Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July at the Federation's invitation. Full text is GA-01978.
Brief Xinhua note in Renmin Ribao (22 July 1965, p. 4): on 19 July Kang Keqing, vice-chair of the All-China Women's Federation, gave a banquet for the Gerwani delegation studying puppet art, led by Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July as guests of the Federation. Evidence of Gerwan
Snippet-only Renmin Ribao extract (1 Oct 1965, p. 3) on foreign guests at China's 16th National Day. It lists a Gerwani delegation for the study of puppet art (leader's name uncertain) among Indonesian groups; truncated. Full text is GA-01980.
Xinhua report in Renmin Ribao (1 Oct 1965, p. 3) on 2,000+ guests at China's 16th National Day, dated the eve of the 1965 coup. Only Indonesian items are translated: MPRS and economic delegations, a PKI delegation under Sidik Kertapati, SOBSI, Harian Rakjat and a Gerwani puppet-art study delegation (leader's name uncer
Berita Yudha, 30 Januari 1966 (edisi Minggu). Wayang-based moral column 'Tepa-Palupi (60): Bhatari Durga' retells the cursing of Uma into the demon Durga; Gerwani is invoked implicitly through the female-demon figure.
Harian Kami, 29 September 1966. Rosihan Anwar's poem 'Kami Mengenang Kembali' narrates the New Order's founding story in verse and pictures the generals at Lubang Buaya being sunk, with Gerwani implied.
Angkatan Bersendjata, 9 Oktober 1966 (edisi Mingguan). Cultural-page polemic against Lekra calls it a 'myth' that 'without Gerwani the women's movement has no meaning'; issue dominated by ABRI's 21st anniversary and the Subandrio trial.
Berita Yudha, 19 Oktober 1966. Issue dominated by Subandrio's Mahmillub trial; a short Gerwani item on p. 2, with a Yogyakarta feature on villagers hearing the trial by radio opening with 'Genjer-genjer'.
Fragment of a De Volkskrant piece (2 Apr 1973) on press freedom in Suharto's Indonesia, listing imprisoned writers and journalists (Bandaharo Harahap, Oei Hay Djun, Mrs. Sugiarti Siswadi, Mrs. Rusijati, Mrs. Lies Sukatno and others) and rebutting H.B. Jassin's claim of press freedom. Gerwani is not named.
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Photo caption in the Surinamese weekly Vrije Stem (2 Jul 1974): the 'Miss Djawa' contest organised by Trie Djokko Moeljo, won by Mavis Wirioredjo. Concerns Javanese-Surinamese community life; nothing on Indonesia's women's movement or Gerwani.
Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
Urgent memo no. 741, 22 May 1975, from Pusjarah ABRI asking Edhi Sunarso to send finished diorama figures to the Museum ABRI before a ministry inspection. Administrative record; no Gerwani or 1965 content.
De Waarheid, 20 Sep 1975, p. 3: fragment of an article on a visiting Indonesian parliamentary 'delegation' asking whether they discussed Indonesian literature; it lists imprisoned writers (Pramoedya Ananta Toer, Bujung Saleh, Sitor Situmorang, Rivai Apin, Hadi Soesastro, Benny Tjung, Mrs. Sugiarti Siswadi, Samandjaja,
Poem 'Freedom' by Sugiarti Siswadi, printed in the New York Times on 10 January 1976, p. 20 (ProQuest Historical Newspapers). The supplied file contains only the title, author and citation header, not the poem text. The catalogue records Sugiarti Siswadi as a member-name hit and notes a Dutch-language version elsewhere
TAPOL Bulletin no. 15, April 1976. Editorial links East Timor killings to the 1965-66 massacres; the issue devotes pages to a mimeographed East Java massacre report and to translated fictional accounts (Gestapu: Indonesian Short Stories, ed. Harry Aveling). Gerwani appears incidentally: victims included members of the
De Waarheid, 6 Nov 1976, p. 2: fragment on Suharto's destruction of the Lekra cultural movement in 1965 (book burnings, banned art), with a long list of murdered or imprisoned artists, including Pramoedya, Henk Ngantung, Bujung Saleh and writer Sugiarti Siswadi, noted as sentenced to 12 years (OCR garbled). Also an unr
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Poster for an Indonesian cultural evening to benefit political prisoners, 30 Nov 1979, at PH'31 Amsterdam, organised by PH'31 and Komitee Indonesie, with meal, music, poetry and film. Dutch solidarity campaign material.
De Waarheid, 24 Apr 1979, p. 4: review of the BZZLLETIN issue on 'books under restraint', arguing that Indonesian literature is little translated while many writers are jailed under Suharto: Pramoedya on Buru, Bandar Harahap, Buyung Saleh and writer Sudjinah, held since 1966 in Bukit Duri women's prison. Covers Rendra
TAPOL Bulletin No. 46 (July 1981). A note, 'A Hundred Minus Six', reports that a four-volume Indonesian short-story anthology had to drop six writers deemed involved in G30S/PKI, among them S. Rukiah (Rukiah Kertapati), alongside Pramoedya. The same issue covers the banning of Pramoedya's Buru novels. Gerwani is not me
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
Front-page De Waarheid listing (9 Apr 1988) of paper contents and events: Jan de Wit's story as a refuser, an essay on Kartini by Annie van Ommeren-Averink, a VPRO radio series on conscientious objectors, and a 21 April Kartini evening at the Tropenmuseum where Wertheim speaks and Francisca Fanggidaej discusses the pos
Harian Neraca, 23 Maret 1989, p. 10: instalment 69 of Soegiarso Soerojo's serial. Presents Lekra's 'setan kota' campaign and the 29 Sept 1965 Front Pemuda demonstration (Gerwani listed) as incitement; claims Pemuda Rakyat and Gerwani military training.
Media Indonesia, 18 Aug 1991, p. 15: review of Y.B. Mangunwijaya's Durga Umayi summarising the heroine's path from Sukarno's household servant to rape, prostitution and becoming 'an important figure in Gerwani', a political fugitive.
Handwritten draft by sculptor Edhi Sunarso, 30 Nov 1992, asking Bank Niaga Yogyakarta for a 5% performance guarantee for the Paseban, diorama and pool renovation at Monumen Pancasila Sakti. Shows the commercial side of the state memory project.
Bali Post, 31 May 1992, p. 6: review of Y.B. Mangunwijaya's novel Durga Umayi whose climax has the heroine exposed as a Lekra and Gerwani figure.
Kedaulatan Rakyat (Yogyakarta), 26 Apr 1994, p. 12: satirical column where a professor fears maids' associations are 'infiltrated by the PKI and Gerwani'; the servant answers 'PKI what, Gerwani what?'.
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Bali Post, 11 Aug 2002, p. 10: short story 'Ngaben' about a PKI activist's family fleeing the 1965–66 Bali killings; the father knew of the plans 'from the stories of the Gerwani women'.
Tempo feature (1 Oct 2007) on how D.N. Aidit was portrayed in the New Order film Pengkhianatan G-30-S/PKI, via interviews with Syu'bah Asa, Danarto, Amarzan Ismail Hamid and Jajang C. Noer. Notes thin research and an invented chain-smoking Aidit; context for film propaganda.
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo package (1 Oct 2012) on The Act of Killing: Ariel Heryanto's review calling it the most important film on Indonesia, and a profile of Anwar Congo (Medan, Pemuda Pancasila) with his wife Salmah and Joshua Oppenheimer's comments. It stresses perpetrators' impunity and ties to officials. Gerwani is not mentioned.
Tempo piece (1 Oct 2012) on how Joshua Oppenheimer met perpetrators, from Matapao plantation workers to Anwar Congo and the Pasukan Kodok / Pemuda Pancasila in Medan. It cites Amir Hasan's pamphlet 'Embun Berdarah' on Teluk Mengkudu, which lists 702 PKI-linked villagers by affiliation, including Gerwani, and records an
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
Two-page CD sleeve of Dialita's 'Dunia Milik Kita' (Yes No Wave YESNO083, 2016) in Indonesian: track list crediting guest artists Frau, Cholil Mahmud, Sisir Tanah, Lintang Radittya, Kroncongan Agawe Santosa and Nadya Hatta. A notice says the MP3s are free under a digital licence and that copying and selling the CD is '
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Tempo review (8 Feb 2016) of Elisabeth Ida Mulyani's video 'Supervivere' on 1965 exiles (Mintardjo and nine others in the Netherlands and Sweden), shown in Yogyakarta with a charcoal portrait 'Suti, Plight of Gerwani' by Dewi Candraningrum. It describes Suti, 95, founder of Gerwis Musuk/Boyolali in 1952, a literacy cam
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
Viola Lasmana's 2018 USC dissertation reading literary, film and digital works as 'shadow imagination' counter-archives that talk back to the New Order master archive of 1965. Literary-cultural study; Gerwani peripheral.
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.
Edited volume (Routledge, 2020; McGregor, Dragojlovic, Loney) linking domestic, military, legal and political violence in Indonesia; chapters include theatre from 1965 survivor testimonies. Gerwani relevant via 1965 gendered violence.
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
Wieringa's five-page review (Archipel 99, 2020) of Maj Wechselmann's documentary The Women and the Generals, which shows the army fabricated the story that Gerwani seduced and castrated the generals at Lubang Buaya as the core of the propaganda campaign. Film review.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
Grace Leksana's review (Archipel 99, 2020) of the animated documentary A Daughter's Memory (2019, dir. Kartika Pratiwi), based on Svetlana Dayani Njoto's memories of detention with her mother and siblings after her father Njoto's arrest. Film review.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
Tempo feature (3 Oct 2020) on Fanny Chotimah's documentary 'You and I' (DMZ festival award) about Solo ex-political prisoners Kaminah and Kusdalini, Pemuda Rakyat/Gita Patria choir members detained in 1965 and later rejected by family; contrasts it with the Pengkhianatan film's razor-blade scene and the Plantungan docu
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
Andrew Weintraub's 2021 study of the Dialita choir from 2018-21 fieldwork with members including Njoto's daughter Irina Dayasih, arguing collective singing is critical remembrance and memory activism where legal routes are blocked. Substantial English-language study.
Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.
Short Tempo.co news item (14 Apr 2021) that the documentary 'You and I' by Fanny Chotimah, about ex-political prisoners Kaminah and Kusdalini, streams on Bioskop Online from 9 April 2021 after winning the Festival Film Indonesia 2020 documentary prize and the DMZ Asian Perspective Award. Mostly promotional; Gerwani is
Tempo feature (1 May 2021) on publisher Ultimus (Bandung) reissuing works by woman writer S. Rukiah, banned after 1965 because she was jailed as a Lekra activist: 'Kejatuhan dan Hati' and 'Tandus' (2017), children's book 'Pak Supi' (2018), and nine more children's titles found in libraries. Gerwani is not mentioned.
Tempo feature, 1 May 2021, by Moyang Kasih Dewi Merdeka and Hardian Putra Pratama, on the forgotten Lekra writer S. Rukiah Kertapati: poet and novelist, Lekra leadership member from the 1959 congress, wife of BTI leader Sidik Kertapati. Soldiers took her from Purwakarta (article dates the arrest 1969; she was held at C
Tempo article, 1 May 2021, by Isma Savitri and Hardian Putra Pratama, on Lekra writer Sugiarti Siswadi: Lekra central leadership member from 1959, children's-literature advocate, author of the banned Sorga Dibumi, and editor of Api Kartini. Researchers cannot trace her life; one suspects she was jailed in Semarang in 1
Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.
Tempo feature (20 Aug 2022, Dian Yuliastuti and Seno Joko Suyono) on the launch of Mia Bustam's third memoir, 'Kelindan Asa dan Kenyataan'. It recounts her arrest in Yogyakarta on 23 Nov 1965, 13 years' detention without trial (Vredeburg, Wirogunan, Plantungan, Bulu) for Lekra membership, release in 1978, and her later
Tempo feature (20 Aug 2022) by Seno Joko Suyono and Nurdin Kalim on the paintings and embroidery of Mia Bustam, former wife of the painter S. Sudjojono. Her children recall her Lekra activity, the loss of a self-portrait when the Lekra secretariat was raided in 1965, and works made in Wirogunan prison (1966-71) and at
Tempo report (20 Nov 2022, Dian Yuliastuti and Seno Joko Suyono) on the Dialita choir winning the 2022 Akademi Jakarta award. Formed 2011 by daughters and women ex-prisoners (including Utati and Mudjiati, Bukit Duri and Plantungan), it sings songs composed in detention, such as 'Salam Harapan' and 'Taman Bunga Plantung
2023 UNY article on how three post-Reformasi novels by women authors (Ayu Utami's Manjali dan Cakrabirawa, Leila Chudori's Pulang, Laksmi Pamuntjak's Amba) re-interpret facts of G30S, including Buru detention and 'PKI descendant' stigma. Literary context.
2023 Padjadjaran article reading three short stories by Sugiarti Siswadi (Lekra board member, Gerwani activist, Api Kartini co-initiator) as expressions of her feminism; stories first appeared in Api Kartini 1960-61. Rare study of a Gerwani writer.
2024 article analysing Leila Chudori's novel Pulang through Hirsch's postmemory and gender: an exile in Paris passes trauma to his daughter Lintang via objects and letters. Literary context.
Tempo.co report (10 Dec 2024, Istiqomatul Hayati and Ihsan Reliubun) on the launch of Mia Bustam's fourth memoir, 'Mutiara Kisah Masa Lalu' (Ultimus, 7 Dec 2024), completing her tetralogy. It gives her biography, arrest on 23 Nov 1965, 13 years' detention (including Plantungan) as a Lekra member, and her children's acc
Tempo.co report (10 Dec 2024, Istiqomatul Hayati and Ihsan Reliubun) on Mia Bustam's four memoirs: 'Sudjojono dan Aku' (written from 1985, on her marriage and divorce, edited by Hersri Setiawan), 'Dari Kamp ke Kamp' (13 years' detention), 'Kelindan Asa dan Kenyataan' and 'Mutiara Kisah Masa Lalu'. Her children explain
Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa
Nancy Florida's annotated English translation (Indonesia, Oct 2025) of Sarbinatun's testimony: Lekra dancer and IPPI president, married at 17 to a PKI Special Bureau man, tortured in Solo and Semarang, held at Plantungan until 1979 and accused as Gerwani though never a member.
Michal Bielecki's 2025 analysis of 'Selamatan Anak Cucu Sumilah', a participatory performance (30 Nov 2018, UGM) with the Kipper forum of women ex-prisoners, commemorating Maria Goreti Sumilah, arrested at fourteen by mistake and held at Plantungan. Memorialisation through performance.
2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Tempo magazine report (16 Nov 2025, Shinta Maharani and Iwan Kurniawan) on the Biennale Jogja solo exhibition of Lekra artist Mia Bustam at Benteng Vredeburg (opened 6 Oct 2025), based on Astrid Reza's thesis. It covers her arrest, nearly 14 years' detention (Plantungan gardener), embroidery, paintings, Api Kartini mag
Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)
Tempo.co interview (21 Sep 2026, Yosea Arga) with Balinese writer Oka Rusmini about her poetry book 'Kembang' (28 Aug 2026), inspired by the film 'You and I' on survivors Kusdalini and Karminah. She discusses women's layered trauma, state stigma and sexual violence; one poem evokes the slander of young women prisoners