Aku Seorang Gerwani: poem (Omie Lubis, 2009)
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
The leader's steadfast road: obituary of Umi Sardjono (Lilik HS, 2011)
Lilik HS's IndoPROGRESS obituary of Umi Sardjono (born Suharti Sumodiwiryo, Gerwani chair 1954-65, d. 11 March 2011): her funeral at Matraman, a visit to the Waluya Sejati elderly home founded on Sulami's initiative, and former leaders' memories. Literary-journalistic portrait.
Frau L's fight for justice: 80-year-old Lestari wishes that no one fears her any more (Keller, 2012)
Anett Keller's 2012 reportage (südostasien, German) on Lestari, an 80-year-old Gerwani co-founder in a Jakarta house of ex-prisoners: Gerwani's literacy and kindergarten work, her husband a PKI East Java leader, flight, arrest in Malang, 1979 release and life as an 'ET' domestic worker. Life-history portrait.
1965 from women's wombs and inner lives: review of Istana Jiwa (Wahyuni, 2014)
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
Genjer-genjer, the song feared by history (Tempo, Ika Ningtyas, 2015)
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Saskia Wieringa, The Crocodile Hole reveals the 1965 genocide (Poerba, 2015)
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Gerwani and the murder of identity (Lustanto, 2015)
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
Stigma of women victims of sexual violence and erasure of existence (Lustanto, 2015)
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Final Report of the IPT 1965: Findings and Documents (Web Text, 2016)
Web edition of the final report of the seven judges of the International People's Tribunal 1965 (The Hague, Nov 2015; report 20 July 2016): finds Indonesia responsible for crimes against humanity, including sexual violence and hate propaganda, and the US, UK and Australia complicit.
Gerwani in Saskia Wieringa's novel The Crocodile Hole (Marhamah, 2016)
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Photobook Pemenang Kehidupan and efforts to reveal the 1965-66 issue (Parengkuh, 2016)
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Seven women political prisoners at Plantungan camp (Historia, 2017; preview)
Historia article (4 Oct 2017, preview only) on seven women political prisoners at Plantungan, the women's 'Pulau Buru' at the foot of Mount Prau, with historian Amurwani Lestariningsih on the inmates (Gerwani, CGMI, PKI sympathisers, some arrested by mistake). Partial text.
Sexual violence against women after the 1965 events (Historia, 2017)
Historia report (17 Mar 2017) on a Komnas Perempuan/YLBHI/IPT 65 session on sexual violence after 1965, opening with Bedjo Untung's case of Zaenab, a 12-year-old in Pekalongan stripped and repeatedly raped by soldiers. Testimony on sexual violence.
Ariel Heryanto's essay (Indonesia at Melbourne, 16 Jan 2018) arguing the state's own story of the 30 September Movement, disseminated since 1966, is the 'primary hoax' behind later 'secondary' ones. Commentary on state disinformation.
Eid al-Adha at Plantungan camp (Historia, 2019)
Historia vignette (2019) on Eid al-Adha at Plantungan camp, drawing on Lestariningsih's book and Mia Bustam's memoir: prisoners allowed to pray with villagers, the camp's livestock unit, and Bustam giving away her meat. Camp daily life.
Sulami's narrative versus the New Order narrative (Rahayu, 2020)
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
A bitter portrait of 1965 survivors in You and I (Historia, 2021)
Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.
Mia Bustam's paintings and embroidery (Tempo, 20 Aug 2022)
Tempo feature (20 Aug 2022) by Seno Joko Suyono and Nurdin Kalim on the paintings and embroidery of Mia Bustam, former wife of the painter S. Sudjojono. Her children recall her Lekra activity, the loss of a self-portrait when the Lekra secretariat was raided in 1965, and works made in Wirogunan prison (1966-71) and at