Wieringa's 1993 article comparing Gerwani and PKK: Gerwani's growth from 500 Gerwis members in 1950 to a claimed 3 million, its campaigns, an eyewitness account of Lubang Buaya and the army's slander, ideology and a composite life history. Early comparative study.
Wieringa's Nov 1996 ISS working paper, the first English version of her argument that the New Order was born from a sexualised propaganda campaign against Gerwani (Oct 1965-Mar 1967 an 'extended coup'), with an interview with a former Gerwani cadre. Early statement of the thesis.
Published RIMA version (1998) of Wieringa's 1996 paper, revised after Suharto's fall: the New Order legitimated itself through the army's slander campaign against Gerwani, part of an 'extended coup' of Oct 1965-Mar 1967, with a compact Gerwani history. Companion to the 1996 draft.
Front matter only (title, contents, abstract) of Wieringa's ISS working paper 332 (Feb 2001) arguing the New Order legitimated itself through sexual politics, the military's 30-year slander of Gerwani. Body of the paper missing from the scan.
Saskia Wieringa's 2002 monograph, the foundational history of Gerwani: a semi-autonomous organisation with triple loyalty to feminism, nationalism and socialism, and the New Order's founding on manipulation of sexual symbols through the 1965 slander. Based on interviews with Umi Sardjono, Sulami, Sudjinah, Trimurti and
Wieringa's 2011 article condensing her research: the army's sexual slander of Gerwani was the spark without which the genocide would not have happened; reconstructs the Lubang Buaya night (about 70 women and girls, mostly Pemuda Rakyat volunteers) and reads the monument mural. Programmatic synthesis.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
PhD dissertation in History (UCLA, 2014) by Dahlia Gratia Setiyawan on U.S. anti-communist operations and the 1965-66 purge in Surabaya. Gerwani appears in context: as the PKI's women's affiliate (ch. 1), through the Surabaya women's coalition GOWS in the 27 September 1965 Grahadi demonstration (ch. 4), and in the Army
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Wieringa (Indonesian Feminist Journal, Aug 2015): the 'confession' of 'Jamilah, Srikandi of Lubang Buaya' printed identically in four army papers on 5-7 Nov 1965, and the real Jemilah (arrested by mistake for Gerwani leader Atikah, tortured, lost her baby), from Juki Ardi's Aku bukan Jamilah.
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Wieringa and Katjasungkana's 2019 Routledge monograph, from the IPT 1965 prosecution report, arguing the 'real coup' was the ousting of Sukarno through about a million killings enabled by propaganda about Gerwani's alleged sexual perversion; chapter 6 treats two sexual moral panics. Key analysis.
Wieringa's five-page review (Archipel 99, 2020) of Maj Wechselmann's documentary The Women and the Generals, which shows the army fabricated the story that Gerwani seduced and castrated the generals at Lubang Buaya as the core of the propaganda campaign. Film review.
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation