Typed layout sheet listing the 37 diorama titles of the Museum Pengkhianatan PKI ('Museum Ekstrim Kiri'), opened 1 Oct 1992, from Madiun 1948 through Aidit's capture, the Njono trial and 1974. Shows how the official PKI-treachery narrative was structured.
Official booklet issued by Pusjarah ABRI for the 1 Oct 1992 opening of the Museum Pengkhianatan PKI, with forewords by Brig. Gen. Idroes and Try Sutrisno framing 37 dioramas as warning about communism's 'latent danger'. State memory propaganda.
Fourteen prints from Edhi Sunarso's archive of Lubang Buaya dioramas, including 'Latihan sukarelawan P.K.I. di Lubang Buaya' and 'Penganiayaan dan pembunuhan di Lubang Buaya'. Titles match the Paseban dioramas opened in 1981. Visual material on the official narrative.
The Guardian (Weekend Guardian), 8 Sept 1990, p.A4, John Gittings, 'The black hole of Bali': long feature on the 1965 massacre (250,000 or more killed), how the killings were organised by the army under Suharto, the Aidit/PKI role, the US list of communists (Martens/Kadane) and US encouragement, survivors ('Tapols') an
The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos
2004 illustrated Grasena guidebook by M. Fahlevi to the Lubang Buaya complex, walking through the 34 dioramas of the Museum Pengkhianatan PKI and the Paseban hall, with captions taken from the dioramas. Official state narrative of the Lubang Buaya site.
Yosef Djakababa's 2009 Wisconsin dissertation on how the New Order built the official Lubang Buaya narrative (PKI sole mastermind, spontaneous people's response) via army history, Mahmillub trials, the monument, Hari Kesaktian Pancasila and the film. Key study of official memory.
Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
Tempo report (1 Oct 2012) on Banyuwangi: the 'Gagak Hitam' force of NU/PNI members hunted communists after 62 Ansor were killed at Cemethuk (commemorated at the Pancasila Jaya monument, called Lubang Buaya Cemethuk). Testimony of Baidawi and ex-Lekra secretary Andang Chatif Yusuf; bodies thrown into Jurang Tangis. Gerw
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)