Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Fourteen prints from Edhi Sunarso's archive of Lubang Buaya dioramas, including 'Latihan sukarelawan P.K.I. di Lubang Buaya' and 'Penganiayaan dan pembunuhan di Lubang Buaya'. Titles match the Paseban dioramas opened in 1981. Visual material on the official narrative.
The Guardian (Weekend Guardian), 8 Sept 1990, p.A4, John Gittings, 'The black hole of Bali': long feature on the 1965 massacre (250,000 or more killed), how the killings were organised by the army under Suharto, the Aidit/PKI role, the US list of communists (Martens/Kadane) and US encouragement, survivors ('Tapols') an
Letter of 20 Nov 1992 from Brig. Gen. Bintarto appointing PT Tiga Hasta Kreatifa without tender to renovate the Paseban building, dioramas and pool at the Pancasila Sakti Museum for Rp 88,484,000. Administrative record of the Lubang Buaya memorial project.
The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos
Yosef Djakababa's 2009 Wisconsin dissertation on how the New Order built the official Lubang Buaya narrative (PKI sole mastermind, spontaneous people's response) via army history, Mahmillub trials, the monument, Hari Kesaktian Pancasila and the film. Key study of official memory.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation