Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
De Waarheid report (24 Jul 1948) on a Perhimpunan Indonesia group of Indonesian workers and students performing dances and songs in Paris and Saint-Denis at WIDF invitation during its women's exhibition. An Indonesian woman greeted French women; the piece notes Kowani is a WIDF member. No Gerwis/Gerwani and no named In
De Locomotief, 22 Aug 1950: announcement of a Semarang singing competition in September, with Annie Landau, Ribut Rawit and Sulami among the contestants; proceeds for a Chinese orphanage, invalids and the Indonesian war cemetery. Gerwis is not mentioned and this Sulami is probably not the Gerwani leader; identity uncon
Cinema advertisement page in De Vrije Pers (20 Jul 1954) for Surabaya cinemas (Spanish Main, Dr. Jekyll and Mr. Hyde, an Indonesian film "Leilani" with Mochtar and Metty Herawati). No Gerwani content; archive tag to Tris Metty rests on a film-cast name only.
Java-Bode, 8 February 1957, p. 2: report on an exposition of national costumes and music by Pan-Pacific and Southeast Asian women's organisations at the Plaza Hotel, New York; Indonesian participants included Sukanti Surjotjondro, Nelly Kawilarang and Sulami Sujud. A second snippet about a clandestine bank on Bangka is
WIDF magazine 1958, International Women's Day feature 'Good Recipes around the World': tips on preparing vegetables and recipes from several countries, including two Indonesian dishes (beef fried with cloves and atjar cucumber salad), plus Bulgarian, Italian, Chinese. No Gerwani or political content.
Api Kartini (1959) editorial column 'Celebrating National Day': after Indonesia's 17 August, urges readers to welcome the national days of friendly states upholding the Bandung principles. Features the Democratic Republic of Vietnam's 2 September National Day with a poem by Ho Chi Minh. Solidarity propaganda with Asian
Ottawa Citizen, 22 April 1959, p.27: society-page report of a Kartini Day tea and sherry party given by Mrs. L. N. Palar, wife of Indonesia's minister to Canada, marking the birthday of Kartini (b. 21 April 1879), described as a nationalist and pioneer of the Indonesian women's movement and symbol of women's emancipati
Fragmentary Api Kartini (1960) item 'Echoes of Revolution': OCR remnants of a rhetorical piece or poem on women marching, crushing colonialism, and demanding equal rights in politics and economy. Too damaged to summarise beyond title and these themes.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Bing Slamet (2:42, one track from a 29-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Lilis Suryani (2:45, one track from a 35-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
Women of the Whole World, 1961: staff writer Kate Lüders interviews Dagmar Bothas about a four-month government-guest visit to Java, Bali and Kalimantan, emphasising dance, music, temples and the literacy campaign (Minister Prijono). Gerwani appears only in a caption about May Day demonstrations; background material.
WIDF magazine 1961 stamp feature 'In National Colours' on postage stamps of newly independent Asian and African states, commemorating liberation, public works, agrarian reform, education and women (Mongolia, Korea, Ceylon, UAR, Vietnam, China). An Indonesian stamp is listed among liberation-themed issues. Gerwani is no
Het Rotterdamsch Parool report (27 Jun 1961, p.4) from the Berlinale: a gossip piece on an actress's torn dress, then mocking review of an Indonesian film 'Dappere vrouwen' (about Indonesian women's patriotism in the struggle for freedom), screened outside the festival, in which Dutch colonists are played by Indonesian
Article by Utami Suryadarma, chair of the Film Censorship Committee, reprinted in Varia (17 Jan 1962), explaining the committee's new approach to Western, socialist and Afro-Asian film imports under free-and-active foreign policy.
Travel essay by M. L. Huber in Women of the Whole World, 1963, on a car journey from Jakarta toward East Java and Bandung, with a sweeping history of Indonesian civilisation, colonialism, the Round Table agreement and 1957 nationalisations, in a pro-Sukarno-era socialist-bloc framing. Gerwani is not mentioned.
Berita Harian (Singapore/Malaya), 24 May 1963: Kuala Lumpur report that the Federation government has banned 'Puisi Progresif Indonesia', a book written and translated by a PKI member, 'Bintang S...' (snippet cut off). The sweep guesses the author is Bintang Suradi, possibly the husband of Gerwani member Suwarti Bintan
Api Kartini (1964) article 'Racism in the Land of Dollars' on discrimination against 19 million African Americans (Birmingham bombing, voting restrictions), condemning also the 10 May 1963 anti-Chinese racist riots in West Java. The page continues with a short piece on a May book fair at Gedung Pemuda and encouraging w
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Photo caption in the Surinamese weekly Vrije Stem (2 Jul 1974): the 'Miss Djawa' contest organised by Trie Djokko Moeljo, won by Mavis Wirioredjo. Concerns Javanese-Surinamese community life; nothing on Indonesia's women's movement or Gerwani.
Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
Urgent memo no. 741, 22 May 1975, from Pusjarah ABRI asking Edhi Sunarso to send finished diorama figures to the Museum ABRI before a ministry inspection. Administrative record; no Gerwani or 1965 content.
Poster for an Indonesian cultural evening to benefit political prisoners, 30 Nov 1979, at PH'31 Amsterdam, organised by PH'31 and Komitee Indonesie, with meal, music, poetry and film. Dutch solidarity campaign material.
Handwritten draft by sculptor Edhi Sunarso, 30 Nov 1992, asking Bank Niaga Yogyakarta for a 5% performance guarantee for the Paseban, diorama and pool renovation at Monumen Pancasila Sakti. Shows the commercial side of the state memory project.
Tempo feature (1 Oct 2007) on how D.N. Aidit was portrayed in the New Order film Pengkhianatan G-30-S/PKI, via interviews with Syu'bah Asa, Danarto, Amarzan Ismail Hamid and Jajang C. Noer. Notes thin research and an invented chain-smoking Aidit; context for film propaganda.
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Tempo package (1 Oct 2012) on The Act of Killing: Ariel Heryanto's review calling it the most important film on Indonesia, and a profile of Anwar Congo (Medan, Pemuda Pancasila) with his wife Salmah and Joshua Oppenheimer's comments. It stresses perpetrators' impunity and ties to officials. Gerwani is not mentioned.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).