TAPOL Bulletin no. 159 (Aug/Sep 2000), with Carmel Budiardjo's report on a visit to Indonesia (pp. 12-14). She meets some twenty former Bukit Duri prison mates, among them Sri Ambar, frail after a stroke (p. 12); visits the Tangerang home of Ibu Sulami, founder in April 1999 of YPKP, the foundation investigating the 19
IISG portrait photograph of Sudjinah (no. 1 of 3, dated 2001, collection Ibu Sudjina): colour photograph of an elderly grey-haired woman seated at a table with a microphone, plants behind. Sudjinah is identified only by the file title; useful as visual documentation of a Gerwani leader later in life.
IISG portrait photograph of Sudjinah (no. 2 of 3, dated 2001, collection Ibu Sudjina): colour snapshot of an elderly woman in a brown blouse and white skirt on a garden path. Sudjinah is identified only by the file title; useful as visual documentation of a Gerwani leader later in life.
IISG portrait photograph of Sudjinah (no. 3 of 3, dated 2001, collection Ibu Sudjina): black-and-white head-and-shoulders portrait of an elderly woman with glasses in a white blouse. Sudjinah is identified only by the file title; useful as visual documentation of a Gerwani leader later in life.
TAPOL Bulletin no. 186 (April 2007). A feature (p. 19) notes Sulami's exhumation campaign and that Gerwani, before 1965 'the most active women's organisation', was banned and its members singled out. A review (pp. 21-24) of the book Kembang-kembang Genjer (foreword by Saskia Wieringa) summarises Sumilah, Tami (Njoto's
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Tempo first-person piece (29 Aug 2011) by an anonymous 38-year-old caning executioner in Aceh Tamiang describing his role under sharia qanun. It is unrelated to 1965 or Gerwani; apparently scraped with the 'algojo' series.
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.
Audio item (description only, no transcript): 'Data dan Fakta Kebangkitan PKI', a 3:12:35 recording of lectures by Alfian Tanjung, Rizieq Shihab and Kivlan Zen, tagged Aksi Bela Islam III (2017), hosted on archive.org. It argues for an alleged revival of the PKI; relevant as contemporary anti-communist propaganda. No G
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.
Finding aid compiled 15 Oct 2026 from the Monumen Pers Nasional SIDAK archive listing 94 newspaper pages whose OCR contains 'Gerwani', 1955–2021: own-era press, Suara Merdeka October 1965, New Order commemorative press and later items; basis for downloading the October 1965 Suara Merdeka pages.
Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.