Batam Pos, 2 Feb 2015, p. 2: reference box 'Gerwani' (from Kamus Sejarah Lengkap) defining Gerwani as a PKI-affiliated women's organisation, recounting Gerwis's founding at Semarang on 4 June 1950 from six groups, with an archival photo of a marriage-law rally.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Album cover image for Dialita's 2016 'Dunia Milik Kita' (Yes No Wave YESNO083): the title in green script surrounded by botanical drawings of leaves, flowers and gourds on a pale blue background. No further text.
Two-page CD sleeve of Dialita's 'Dunia Milik Kita' (Yes No Wave YESNO083, 2016) in Indonesian: track list crediting guest artists Frau, Cholil Mahmud, Sisir Tanah, Lintang Radittya, Kroncongan Agawe Santosa and Nadya Hatta. A notice says the MP3s are free under a digital licence and that copying and selling the CD is '
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.
Katharine McGregor's Aug 2016 gateway essay to the Indonesia section of the Women and Social Movements in Modern Empires database: anti-imperial activism, Gerwani and the WIDF, source guide (Api Kartini, congress reports) and thematic analyses. Introduction for researchers.
Pohlman (2017), lead investigator on sexual crimes for the IPT 1965, argues rape and sexualised torture in 1965-70 detention were crimes against humanity, summarising fifty-eight case files (72% female victims, 85% naming soldiers or military police). Legal framing of sexual torture.
2017 Rowman and Littlefield volume edited by Margaret McLaren on decolonising transnational feminism under neoliberal globalisation, with ten chapters on epistemology and politics and a preface by Mohanty. Theory background; no Indonesian content.
Bernas, 19 July 2017, p. 4: Jurnal Perempuan letter on the unratified Rome Statute listing unresolved cases from 1965–66 to 1998 and naming Gerwani women as targets of sexual violence.
Kedaulatan Rakyat, 31 July 2017: at an IARMI Central Java reunion in Semarang a veteran of the student regiment recalls joining ABRI's post-G30S security operation, guarding Gerwani detainees and helping interrogate.
FES-published study (2018) by Gadis Arivia and Nur Iman Subono arguing Indonesian feminism has local roots; one page on Gerwani, then New Order state women's organisations and Reformasi (Suara Ibu Peduli, Komnas Perempuan). Overview of feminist history.
Edited volume (Palgrave 2018; McGregor, Melvin, Pohlman) arguing the 1965 violence was genocidal, covering causes (Aceh army documents, Bali, Pohlman on women's testimonies of sexual violence in West Sumatra) and legacies. Key scholarship on 1965 violence.
Jess Melvin's 2018 monograph arguing the 1965-66 killings were a genocide planned and coordinated by the army, based on about 3,000 pages of Aceh military records and interviews. Key evidence on army responsibility.
Wieringa and Katjasungkana's 2019 Routledge monograph, from the IPT 1965 prosecution report, arguing the 'real coup' was the ousting of Sukarno through about a million killings enabled by propaganda about Gerwani's alleged sexual perversion; chapter 6 treats two sexual moral panics. Key analysis.
Routledge volume (2019, ed. Wieringa, Melvin, Pohlman) gathering research behind the IPT 1965: coup, torture, Buru enslavement, sexual slavery and forced marriage, exile, mass graves, Western complicity and youth projects. Foreword by judge Zak Yacoob.
Kristen Ghodsee's 2019 Duke monograph arguing socialist 'Second World' women, allied with newly independent states, shaped the UN Decade for Women and were then erased from feminist history. Background on socialist-bloc women's internationalism.
Edited volume (Routledge, 2020; McGregor, Dragojlovic, Loney) linking domestic, military, legal and political violence in Indonesia; chapters include theatre from 1965 survivor testimonies. Gerwani relevant via 1965 gendered violence.
Part II of Nadia's essay (südostasien 3/2020): how the army and paramilitaries used sexualised violence to destroy Gerwani after Oct 1965, the Lubang Buaya slander and film, 1966 tattoo 'searches', and New Order redefinition of women's roles. In German.
John Roosa's 2020 book, from nearly 400 interviews, arguing the typical 1965-66 killing was army execution of detainees (hence mass disappearance); dissects army propaganda including how Gen. Sugandhi sexualised Lubang Buaya from 9 Oct 1965. Key scholarship.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe