2025 article on Leila Chudori's novel Namaku Alam (sequel to Pulang) as literary representation of trauma transmission in families of political prisoners, using Caruth, Hirsch and Halbwachs. Literary context.
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani
PhD dissertation (Sociology, Northwestern, Dec. 2025) by Mirna Nadia arguing the heteronormative family acts as 'moral infrastructure' of Indonesian citizenship, via the Marriage Law, the AILA judicial review, the Family Resilience Bill, women household heads and LGBT people. Gerwani appears only in ch. 1's history of
Yulia Gradskova's 2025 open-access monograph on 'East South' women's networks from the late 1950s to the 1980s through Tashkent and Havana, using GARF, WIDF and Radio Free Europe files. Background on socialist-bloc women's internationalism.
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Katarzyna Głąb's open-access article (June 2026) on Plantungan, the women political prisoners' camp in a former Dutch leprosarium, using 2018 interviews with survivors aged 81-89 and Mia Bustam's memoir; argues it worked through forced labour, sexual violence and memory erasure. Recent scholarship on Plantungan.
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)
Sarah Sharma's 2026 Duke monograph reads Big Tech through feminist media theory, arguing that tech culture casts women and feminised labour as 'tools' of a patriarchal machine world (starting from McLuhan's 'sex organs of the machine world'); chapters on the 'woman in tech', domestic and basement tech, platform wealth