Layout Sheet of Diorama Figures, Museum of the Extreme Left, Lubang Buaya
Typed layout sheet listing the 37 diorama titles of the Museum Pengkhianatan PKI ('Museum Ekstrim Kiri'), opened 1 Oct 1992, from Madiun 1948 through Aidit's capture, the Njono trial and 1974. Shows how the official PKI-treachery narrative was structured.
The Guardian (Weekend Guardian), 8 Sept 1990, p.A4, John Gittings, 'The black hole of Bali': long feature on the 1965 massacre (250,000 or more killed), how the killings were organised by the army under Suharto, the Aidit/PKI role, the US list of communists (Martens/Kadane) and US encouragement, survivors ('Tapols') an
President Suharto's Visit to the Museum of PKI Treachery, 1992
Three snapshots of President Suharto's visit to the Museum Pengkhianatan PKI at Lubang Buaya, probably at its 1 Oct 1992 inauguration. Shows him before dioramas made in Edhi Sunarso's workshop.
Chaos at Crocodile Hole (The Guardian, 23 May 1998)
The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos
Remembering and Forgetting at Lubang Buaya (Schreiner, 2003)
Klaus Schreiner's 2003 chapter reading the Monumen Pancasila Sakti at Lubang Buaya as a 'site of memory' and founding shrine of the New Order, noting the 1998 end of the annual film broadcast; applies Halbwachs, Nora and trauma theory. Memory-studies framing.
Construction of History under the New Order: making the Lubang Buaya narrative (summary, 2010)
Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (Stroud, 2015)
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)