Gerwani Archive
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GA-02660 rel B

Lay Out Figure Diorama, Museum Ekstrim Kiri, Lubang Buaya

Layout Sheet of Diorama Figures, Museum of the Extreme Left, Lubang Buaya

Typed layout sheet listing the 37 diorama titles of the Museum Pengkhianatan PKI ('Museum Ekstrim Kiri'), opened 1 Oct 1992, from Madiun 1948 through Aidit's capture, the Njono trial and 1974. Shows how the official PKI-treachery narrative was structured.

GA-01523 1990-09-08 The Guardian rel B licensed

The black hole of Bali (The Guardian, 8 September 1990)

The Guardian (Weekend Guardian), 8 Sept 1990, p.A4, John Gittings, 'The black hole of Bali': long feature on the 1965 massacre (250,000 or more killed), how the killings were organised by the army under Suharto, the Aidit/PKI role, the US list of communists (Martens/Kadane) and US encouragement, survivors ('Tapols') an

GA-01524 1998-05-23 The Guardian rel C licensed

Chaos at Crocodile Hole (The Guardian, 23 Mei 1998)

Chaos at Crocodile Hole (The Guardian, 23 May 1998)

The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos

GA-03058 2015 rel C licensed

Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (PhD Berkeley, 2015)

Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (Stroud, 2015)

Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)