The trauma of 1965 itches and nags
Jan Bezemer's long Trouw weekend feature (30 Sep 1995) on the unresolved 1965 trauma. Covers the 30 September events, Suharto's role, US encouragement, massacres (Gatot's trial testimony) and the smear campaign against Gerwani. Draws on Saskia Wieringa's doctoral research: Gerwani was blamed for mutilating the generals
Janda PKI: stigma and sexual violence against communist widows (Pohlman, 2015)
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
The 1965 genocide in Indonesia concerns us all: the struggle for justice (Wieringa, 2017)
Two-page south-east Asia magazine piece (südostasien 1/2017, German) translating Wieringa's statement as IPT 1965 chair on the July 2016 verdict: crimes against humanity, 400,000-600,000 killed, sexual violence, hate propaganda, complicity of the US, UK and Australia. Gerwani not named.
Wieringa and Katjasungkana's 2019 Routledge monograph, from the IPT 1965 prosecution report, arguing the 'real coup' was the ousting of Sukarno through about a million killings enabled by propaganda about Gerwani's alleged sexual perversion; chapter 6 treats two sexual moral panics. Key analysis.
Forty Years of Silence: The Insanity of Society (Marching, 2020)
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation