The Rise and Fall of the Djakarta-Peking Axis, 1949-1966 (Ju, 1967)
PhD dissertation (Mississippi State, 1967) by Woo Jung Ju on Sino-Indonesian relations, 1949-1966, from Bandung to the collapse of the Jakarta-Peking axis. It follows the PKI's resurgence under Aidit, Guided Democracy, the Malaysia Confrontation and the planned second Afro-Asian Conference, largely from Western press a
Indonesianizing Marxism-Leninism: Communist Polycentrism 1919-1966 (Silverman, 1967)
PhD dissertation in political science (Claremont, 1967) by Jerry Mark Silverman on national communism and polycentrism, 1919-1966, using the 'political community' framework with the PKI as case study (Section III, chs. 4-5 on PKI independence and ambivalence). It confines its Indonesian analysis to the period before 1
RAND memorandum RM-5753-PR (Feb 1969), Guy J. Pauker, 'The Rise and Fall of the Communist Party of Indonesia'. Argues, from trial records, that Aidit planned the 30 September action against the generals and traces PKI strategy, the Chinese turn, the agrarian 'unilateral actions' and the killings (up to 300,000), and th
Chinese Policy in Indonesia, 1949-1967 (Mozingo, 1973)
PhD dissertation (Political Science, UCLA, 1973) by David Paul Mozingo on Chinese policy toward Indonesia, 1949-1967, arguing it was an extension of united-front strategy and was undone by the 1965 coup. Its only reference to Gerwani is one sentence in the chapter on the coup (pp. 258-259): young men and women from the
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c