Gerwani Archive
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GA-03038 1983 rel B licensed

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia: Its History and Role (MA thesis, Australian National University, 1983)

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)

Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column

GA-03055 2000 rel B licensed

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)

PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing

GA-03713 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-03714 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-02984 2020 rel B

The Treachery on YouTube: The Politics of Memory on New Media in Indonesia

The Treachery on YouTube: Politics of Memory on New Media in Indonesia (Parahita and Yulianto, 2020)

Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe

GA-02989 2021 rel B

Bentuk Perlawanan Perempuan melalui Penulisan dalam Album Dunia Milik Kita dan Salam Harapan (Saraswati dan Subono, 2021)

Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)

2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.

GA-02977 2022 rel B licensed

Dialita: Collective Memories of Former Women Political Prisoners during the New Order Era in Java (Lestariningsih and Sunarti, 2022)

Dialita: Collective Memories of Former Women Political Prisoners in Java (Lestariningsih and Sunarti, 2022)

Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.

GA-02988 2022 rel B

Suara Perempuan dalam Lagu Paduan Suara Dialita (Saraswati, 2022)

Women's voices in the songs of the Dialita choir (Saraswati, 2022)

2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.