Gerwani Archive
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GA-03038 1983 rel B licensed

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia: Its History and Role (MA thesis, Australian National University, 1983)

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)

Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column

GA-03055 2000 rel B licensed

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)

PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing

GA-03033 2025 rel C licensed

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)

Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)