Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
The Act of Singing: Women, Music and the Politics of Truth and Reconciliation (Weintraub, 2021)
Andrew Weintraub's 2021 study of the Dialita choir from 2018-21 fieldwork with members including Njoto's daughter Irina Dayasih, arguing collective singing is critical remembrance and memory activism where legal routes are blocked. Substantial English-language study.
Gerwani as a political school of Islam in the Sukarno era (Rahmanudin, 2022)
Deden Rahmanudin, 'Gerwani Mazhab Politik Islam Era Soekarno' (Jurnal Kewarganegaraan 6:2, 2022), a literature-based article presenting Gerwani as a feminist movement and discussing it from an Islamic viewpoint (Sukarno's Sarinah, Hamka). Drawing on Wieringa and Lestariningsih, it recounts Gerwani's 1950 founding, MPs
Women's voices in the songs of the Dialita choir (Saraswati, 2022)
2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.
Katarzyna Głąb's open-access article (June 2026) on Plantungan, the women political prisoners' camp in a former Dutch leprosarium, using 2018 interviews with survivors aged 81-89 and Mia Bustam's memoir; argues it worked through forced labour, sexual violence and memory erasure. Recent scholarship on Plantungan.