Soviet Woman, 30 Apr 1955, p. 36 (fragment): 'Visit to Indonesia' by film-makers V. Mikosha and I. Sokolnikov, describing two months filming a documentary in Indonesia. Includes filming the welcome at Jakarta airfield for an Indonesian women's delegation returning from the USSR. Umi Sardjono, listed in metadata, does n
Het Rotterdamsch Parool/ANP report (7 Oct 1965, p.1): Jakarta television showed a film of the exhumation of seven officers from the well at Lubang Buaya, with Suharto, voice trembling, saying the bodies were found near the air-force base training Pemuda Rakjat men and 'Gerwani' (for women) volunteers. A female voluntee
Twentsch Dagblad Tubantia (7 Oct 1965): Jakarta TV shows exhumation of the generals' mutilated bodies from the Lubang Buaya well; Suharto says they were found near the air-force base where Pemuda Rakyat and Gerwani volunteers were trained, citing an arrested female volunteer from Cirebon. Also the generals' funeral and
South China Sunday Morning Post, 27 Sep 1998, p.8, Jenny Grant: after Suharto's fall, historians and politicians call for a reassessment of the 1965 coup and killings; the government has dropped compulsory screening of the New Order propaganda film. The article repeats that members of 'the communist women's organisatio
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Grace Leksana's review (Archipel 99, 2020) of the animated documentary A Daughter's Memory (2019, dir. Kartika Pratiwi), based on Svetlana Dayani Njoto's memories of detention with her mother and siblings after her father Njoto's arrest. Film review.
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe