Audio item (description only, no transcript): 'Mewaspadai Kebangkitan Komunis', a 55:44 Islamic lecture by Ustadz Ayip Syafruddin, broadcast by Radio Al I'tishom (tag date 2016), from the Internet Archive collection 'Waspada! Bahaya! Komunis dll.'. It warns against a supposed communist revival; an example of post-New O
JPRS translation of an Indonesian Tribune (Tirana) 1974 report of Radio Tirana interview with Setiati Surasto, leader of the PKI delegation to Albania's 30th liberation anniversary. She describes Indonesia as a US neo-colony under Suharto's 'fascist' regime, cites 28 million unemployed and about 100,000 political priso
Komitee Indonesie (Amsterdam) campaign poster, c. 1978, demanding immediate release of all political prisoners, with silhouettes of three prisoners behind barbed wire. Dutch solidarity material on post-1965 detainees.
Media Indonesia, 18 Aug 1991, p. 15: review of Y.B. Mangunwijaya's Durga Umayi summarising the heroine's path from Sukarno's household servant to rape, prostitution and becoming 'an important figure in Gerwani', a political fugitive.
Wieringa's 2000 article on communism and women's same-sex practices, prompted by Kowani chair Ine Sukarno's 1999 claim that Gerwani supported lesbianism; argues Gerwani's morality was puritan and heterosexual and that 'militant motherhood' threatened conservatives. Links Gerwani slander to sexuality politics.
Gerry van Klinken's 2001 article mapping the post-Suharto contest over the national past: statist New Order history (film, Lubang Buaya rituals, book bans), versus societal streams including Sulami's 1999 truth-seeking organisation and Pramoedya. Historiographical context.
McGregor and Hearman's 2007 article reading Sulami's and Sudjinah's memoirs as political rehabilitation: both arrested 1967, tried 1975 for subversion; they distance Gerwani from the PKI and answer the sexual slander. Second copy of the paper (South East Asia Research).
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (3:55) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Nadya Hatta, Prihatmoko Catur and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wav
Pohlman (2017), lead investigator on sexual crimes for the IPT 1965, argues rape and sexualised torture in 1965-70 detention were crimes against humanity, summarising fifty-eight case files (72% female victims, 85% naming soldiers or military police). Legal framing of sexual torture.
Edited volume (Palgrave 2018; McGregor, Melvin, Pohlman) arguing the 1965 violence was genocidal, covering causes (Aceh army documents, Bali, Pohlman on women's testimonies of sexual violence in West Sumatra) and legacies. Key scholarship on 1965 violence.
Wieringa and Katjasungkana's 2019 Routledge monograph, from the IPT 1965 prosecution report, arguing the 'real coup' was the ousting of Sukarno through about a million killings enabled by propaganda about Gerwani's alleged sexual perversion; chapter 6 treats two sexual moral panics. Key analysis.
Edited volume (Routledge, 2020; McGregor, Dragojlovic, Loney) linking domestic, military, legal and political violence in Indonesia; chapters include theatre from 1965 survivor testimonies. Gerwani relevant via 1965 gendered violence.
Part II of Nadia's essay (südostasien 3/2020): how the army and paramilitaries used sexualised violence to destroy Gerwani after Oct 1965, the Lubang Buaya slander and film, 1966 tattoo 'searches', and New Order redefinition of women's roles. In German.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Pohlman and colleagues' 2024 article presenting the IndoTorM dataset of 4,072 torture victims (1965 onward), with heat maps showing beatings and forced stripping constant over time and rape dominant for women and children. Quantitative context on New Order torture.
Rania Dhiyaulhaq Aisyah, 'Transformasi Gerwani' (Jurnal Sejarah Indonesia 8:2, 2025), a literature-based article on Gerwani's pre-1965 gender activism (education, health, anti-polygamy, 1955 elections, PKI ties, congresses) and its post-1965 stigmatisation. It repeats Wieringa's finding that the Lubang Buaya sexual-vio
Soe Tjen Marching's collection (Amsterdam UP 2017; Routledge 2025) of twenty survivor and descendant testimonies organised by generation, including 'Steel Women', and introducing the 'mutation of fear'. Summarises the 1965 slander of Gerwani; key testimony source.
Finding aid compiled 15 Oct 2026 from the Monumen Pers Nasional SIDAK archive listing 94 newspaper pages whose OCR contains 'Gerwani', 1955–2021: own-era press, Suara Merdeka October 1965, New Order commemorative press and later items; basis for downloading the October 1965 Suara Merdeka pages.