Gerwani Archive
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GA-02926 1966 rel B licensed

Dossier of the Indonesian Drama (New Left Review 36)

Dossier of the Indonesian Drama (Lucien Rey, New Left Review, 1966)

Article by Lucien Rey (New Left Review no. 36, March 1966) reconstructing the 1 October 1965 events as a plot by dissident Central Java officers, plus a translated Asahi Shimbun interview with PKI deputy chair Njoto. Says People's Youth and Gerwani auxiliaries trained at Halim took part in the generals' executions in r

GA-03036 1968 rel B licensed

The Politico-Military Role of the Indonesian Armed Forces, October 1965–1968 (MA dissertation, University of Chicago)

The Politico-Military Role of the Indonesian Armed Forces, October 1965-1968 (Fox, 1968)

Edward J. Fox, University of Chicago MA dissertation (1968; the catalogue title says PhD) on the Indonesian armed forces' control programme and the pattern of violence from October 1965 to early 1968. Gerwani appears only in passing: a footnote cites 1.75 million members and notes its self-dissolution (p.32), and one u

GA-03058 2015 rel C licensed

Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (PhD Berkeley, 2015)

Ripples, Echoes, and Reverberations: 1965 and Now in Indonesia (Stroud, 2015)

Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation

GA-03062 2020 rel A licensed

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia, 1945-1966

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)

Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation