Gerwani Archive
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GA-03048 1976 rel C licensed

The Crescent Arises over the Banyan Tree: A Study of the Muhammadijah Movement in a Central Javanese Town

The Crescent Arises over the Banyan Tree: Muhammadiyah in a Central Javanese Town (Nakamura, 1976)

Mitsuo Nakamura's 1976 Cornell PhD thesis, an ethnography and local history of the Muhammadiyah reform movement in Kotagede, Yogyakarta, arguing that Islamization of Java is an ongoing, internally generated process. Gerwani appears only in passing (p. 208), listed with Pemuda Rakyat and Lekra as PKI-influenced mass org

GA-03064 1988 rel B licensed

Losing a Revolution: The PKI versus the Army in Indonesia, 1949-1965

Losing a Revolution: The PKI versus the Army in Indonesia, 1949-1965 (Sutley, 1988)

Stewart K. Sutley's MA thesis (Political Science, McGill, 1988) applies Tilly and Aya's 'political conflict' model to the PKI-Army struggle of 1949-65, arguing the PKI's state-within-a-state depended on Sukarno and was destroyed after the army struck at the president. Gerwani is treated only as the PKI's 'women's front

GA-03034 2012 rel B licensed

Generating History: Violence and the Risks of Remembering for Families of Former Political Prisoners in Post-New Order Indonesia

Generating History: Violence and the Risks of Remembering for Families of Former Political Prisoners (Conroe, 2012)

PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,

GA-03062 2020 rel A licensed

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia, 1945-1966

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)

Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation