Leslie Dwyer's 2004 article on the gendered violence of 1965-66 in Bali, framed by Ibu Ari, whose husband and brother were taken by PNI paramilitaries and who was sexually 'inspected'; argues women's silence is a culturally specific semiotics, not absence of memory. Fieldwork-based gender analysis.
Vannessa Hearman's 2013 article on memories 'under duress', from interviews with over thirty ex-prisoners: screening and stigma forced concealment, name changes and silence; Gerwani appears via 'Leila' and 'Tuti' and Sukarno-era WIDF internationalism. Oral history methodology.
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.
Leksana and Subekti (2022) on how 1965 memory reaches third-generation members of three survivor families, arguing family silence is a survival strategy preserving memory via fragmented narratives, mysticism and depoliticisation; one case has Gerwani grandparents.