Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
Cinema advertisement page in De Vrije Pers (20 Jul 1954) for Surabaya cinemas (Spanish Main, Dr. Jekyll and Mr. Hyde, an Indonesian film "Leilani" with Mochtar and Metty Herawati). No Gerwani content; archive tag to Tris Metty rests on a film-cast name only.
Api Kartini (1959) editorial column 'Celebrating National Day': after Indonesia's 17 August, urges readers to welcome the national days of friendly states upholding the Bandung principles. Features the Democratic Republic of Vietnam's 2 September National Day with a poem by Ho Chi Minh. Solidarity propaganda with Asian
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Bing Slamet (2:42, one track from a 29-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Lilis Suryani (2:45, one track from a 35-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
WIDF magazine 1961 stamp feature 'In National Colours' on postage stamps of newly independent Asian and African states, commemorating liberation, public works, agrarian reform, education and women (Mongolia, Korea, Ceylon, UAR, Vietnam, China). An Indonesian stamp is listed among liberation-themed issues. Gerwani is no
Het Rotterdamsch Parool report (27 Jun 1961, p.4) from the Berlinale: a gossip piece on an actress's torn dress, then mocking review of an Indonesian film 'Dappere vrouwen' (about Indonesian women's patriotism in the struggle for freedom), screened outside the festival, in which Dutch colonists are played by Indonesian
Article by Utami Suryadarma, chair of the Film Censorship Committee, reprinted in Varia (17 Jan 1962), explaining the committee's new approach to Western, socialist and Afro-Asian film imports under free-and-active foreign policy.
Travel essay by M. L. Huber in Women of the Whole World, 1963, on a car journey from Jakarta toward East Java and Bandung, with a sweeping history of Indonesian civilisation, colonialism, the Round Table agreement and 1957 nationalisations, in a pro-Sukarno-era socialist-bloc framing. Gerwani is not mentioned.
Berita Harian (Singapore/Malaya), 24 May 1963: Kuala Lumpur report that the Federation government has banned 'Puisi Progresif Indonesia', a book written and translated by a PKI member, 'Bintang S...' (snippet cut off). The sweep guesses the author is Bintang Suradi, possibly the husband of Gerwani member Suwarti Bintan
Api Kartini (1964) article 'Racism in the Land of Dollars' on discrimination against 19 million African Americans (Birmingham bombing, voting restrictions), condemning also the 10 May 1963 anti-Chinese racist riots in West Java. The page continues with a short piece on a May book fair at Gedung Pemuda and encouraging w
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
Poster for an Indonesian cultural evening to benefit political prisoners, 30 Nov 1979, at PH'31 Amsterdam, organised by PH'31 and Komitee Indonesie, with meal, music, poetry and film. Dutch solidarity campaign material.
Handwritten draft by sculptor Edhi Sunarso, 30 Nov 1992, asking Bank Niaga Yogyakarta for a 5% performance guarantee for the Paseban, diorama and pool renovation at Monumen Pancasila Sakti. Shows the commercial side of the state memory project.
Tempo feature (1 Oct 2007) on how D.N. Aidit was portrayed in the New Order film Pengkhianatan G-30-S/PKI, via interviews with Syu'bah Asa, Danarto, Amarzan Ismail Hamid and Jajang C. Noer. Notes thin research and an invented chain-smoking Aidit; context for film propaganda.
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Tempo package (1 Oct 2012) on The Act of Killing: Ariel Heryanto's review calling it the most important film on Indonesia, and a profile of Anwar Congo (Medan, Pemuda Pancasila) with his wife Salmah and Joshua Oppenheimer's comments. It stresses perpetrators' impunity and ties to officials. Gerwani is not mentioned.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Audio track (6:04) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Kroncongan Agawe Santoso. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title ref
Jurnal Perempuan event report (3 Aug 2016) on a Solo discussion of Adrian Mulya's photobook Pemenang Kehidupan, portraits of elderly 1965 survivors made over seven years. Context on photography and survivors.
Hearman's review essay (Archipel 99, 2020) of the documentary Pulau Buru: Tanah Air Beta (2016), in which Hersri Setiawan and Tejabayu Soedjojono return to Buru, with Ita Nadia and Ken Setiawan. Context on Buru and its memory.
Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.
Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander
Short Tempo.co news item (14 Apr 2021) that the documentary 'You and I' by Fanny Chotimah, about ex-political prisoners Kaminah and Kusdalini, streams on Bioskop Online from 9 April 2021 after winning the Festival Film Indonesia 2020 documentary prize and the DMZ Asian Perspective Award. Mostly promotional; Gerwani is
Tempo feature, 1 May 2021, by Moyang Kasih Dewi Merdeka and Hardian Putra Pratama, on the forgotten Lekra writer S. Rukiah Kertapati: poet and novelist, Lekra leadership member from the 1959 congress, wife of BTI leader Sidik Kertapati. Soldiers took her from Purwakarta (article dates the arrest 1969; she was held at C
Tempo article, 1 May 2021, by Isma Savitri and Hardian Putra Pratama, on Lekra writer Sugiarti Siswadi: Lekra central leadership member from 1959, children's-literature advocate, author of the banned Sorga Dibumi, and editor of Api Kartini. Researchers cannot trace her life; one suspects she was jailed in Semarang in 1
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.