De Waarheid, 19 Sep 1958, p. 6: photo captions from the Buchenwald memorial inauguration (14 Sep 1958) attended by a Dutch delegation. One caption notes Sulami, the Indonesian representative to the International Women's Movement (WIDF), receiving gifts from the Dutch delegation at the farewell evening, alongside delega
Photograph, image 05 of Khastara item 582249 (Yayasan Idayu albums), captioned as a meeting of women fighters ('wanita pejuang') at Gedung Kebangkitan Nasional on 21 May 1977. It sits in the S.K. Trimurti photo series, so Trimurti may appear, but no one is identified in the caption data. Image content not described; ca
Harian Neraca, 2 Oct 1989, p. 11: education-women page with Minister Fuad Hassan's speech making Hapsak Pancasila a national tradition, and a report on the Lubang Buaya ceremony that mentions Gerwani.
The Guardian, 23 May 1998, p.24, Martin Woollacott, 'Chaos at Crocodile Hole': comment on Suharto's fall, arguing it is no triumph and that his legacy of division (military vs Islamists, rich vs poor, ethnic and religious tensions) leaves the country fragile. It opens with the Crocodile Hole (Lubang Buaya) shrine, whos
Waspada, 7 Oct 2002, p. 11: feature on the 1 Oct 2002 commemoration at the Sudjono monument in Bandarbetsy, retelling the 1965 killing of Peltu Sudjono by BTI squatters joined by Pemuda Rakyat, Gerwani and Lekra who 'sang and danced'.
Klaus Schreiner's 2003 chapter reading the Monumen Pancasila Sakti at Lubang Buaya as a 'site of memory' and founding shrine of the New Order, noting the 1998 end of the annual film broadcast; applies Halbwachs, Nora and trauma theory. Memory-studies framing.
Yosef Djakababa's 2009 Wisconsin dissertation on how the New Order built the official Lubang Buaya narrative (PKI sole mastermind, spontaneous people's response) via army history, Mahmillub trials, the monument, Hari Kesaktian Pancasila and the film. Key study of official memory.
Seven-page summary (LIPI journal, 2010) of Djakababa's dissertation arguing 1 Oct 1965 was chaotic and the New Order turned it into a good-versus-evil narrative via trials, the monument, commemoration and the film. Short companion to the full thesis.
KBR report (23 Dec 2016) on former women prisoners and a Komnas Perempuan team visiting the Plantungan camp site: testimonies of Sumilah (forced to admit Gerwani membership, stripped) and Debora Oni, and the Lubang Buaya slander. Memorialisation of Plantungan.
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)