Photograph (24 Nov 2020) of a museum diorama of the recovery of the generals' bodies from the Lubang Buaya well, with frogman figure, coffins and red-bereted soldiers. Visual record of the official Lubang Buaya display.
Part II of Nadia's essay (südostasien 3/2020): how the army and paramilitaries used sexualised violence to destroy Gerwani after Oct 1965, the Lubang Buaya slander and film, 1966 tattoo 'searches', and New Order redefinition of women's roles. In German.
John Roosa's 2020 book, from nearly 400 interviews, arguing the typical 1965-66 killing was army execution of detainees (hence mass disappearance); dissects army propaganda including how Gen. Sugandhi sexualised Lubang Buaya from 9 Oct 1965. Key scholarship.
Wieringa's five-page review (Archipel 99, 2020) of Maj Wechselmann's documentary The Women and the Generals, which shows the army fabricated the story that Gerwani seduced and castrated the generals at Lubang Buaya as the core of the propaganda campaign. Film review.
Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation
Tempo.co fact-check (15 June 2020) debunking a Facebook meme that PDI-P MP Ribka Tjiptaning said Jokowi's mother chaired Gerwani PKI. Ribka never said it (she wrote 'Aku Bangga Jadi Anak PKI', 2002) and Jokowi's mother Sudjiatmi was no Gerwani leader; a biography by Wawan Mas'udi and Ramdhon is cited. Shows Gerwani inv
Tempo feature (3 Oct 2020) on Fanny Chotimah's documentary 'You and I' (DMZ festival award) about Solo ex-political prisoners Kaminah and Kusdalini, Pemuda Rakyat/Gita Patria choir members detained in 1965 and later rejected by family; contrasts it with the Pengkhianatan film's razor-blade scene and the Plantungan docu