ICTJ and KontraS report (March 2011) on transitional justice since 1998: inquiries launched then stalled, Attorney General inaction on Komnas HAM files, zero convictions in human rights courts, reparations tied to missing verdicts. Context for the impunity facing 1965 victims.
Lilik HS's IndoPROGRESS obituary of Umi Sardjono (born Suharti Sumodiwiryo, Gerwani chair 1954-65, d. 11 March 2011): her funeral at Matraman, a visit to the Waluya Sejati elderly home founded on Sulami's initiative, and former leaders' memories. Literary-journalistic portrait.
2012 article by Hamdan Tri Atmaja using Gadamerian hermeneutics and interviews with seven survivors (two women held at Plantungan) on how they interpret state actions after G30S: readings of the coup, groundless arrests and interrogation.
Elizabeth Rhoads's 2012 article on why Balinese women's political representation is low despite quotas, citing adat institutions, money politics and collective memory; context on post-1965 Bali. Gerwani peripheral.
Anett Keller's 2012 reportage (südostasien, German) on Lestari, an 80-year-old Gerwani co-founder in a Jakarta house of ex-prisoners: Gerwani's literacy and kindergarten work, her husband a PKI East Java leader, flight, arrest in Malang, 1979 release and life as an 'ET' domestic worker. Life-history portrait.
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
2013 article by Taufik Ahmad on about 911 ex-political prisoners (BTI, Lekra, CGMI, Gerwani activists) held at Moncongloe, South Sulawesi: their 1975-77 release and post-release control through reporting, Pancasila courses, ET identity-card code and screening. Context on stigma.
Vannessa Hearman's 2013 article on memories 'under duress', from interviews with over thirty ex-prisoners: screening and stigma forced concealment, name changes and silence; Gerwani appears via 'Leila' and 'Tuti' and Sukarno-era WIDF internationalism. Oral history methodology.
Pohlman's 2013 article, from about 150 interviews, on women's stories of pregnancy, childbirth, raising, losing and aborting children during 1965-66 and detention, including cooperative childcare and a former Gerwani leader (Ibu Astuti). Gendered history of survival.
Wardaya's 2013 English edition of oral histories gathered 2008-11 by Sanata Dharma University's PUSdEP: witnesses from military, Muhammadiyah, Kejawen and Catholic backgrounds and survivors including women detained as alleged Gerwani; foreword summarises the Gerwani mutilation narrative and autopsy. Oral history source
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Vannessa Hearman's 2014 reflection on the absence of victims in The Act of Killing, concluding that this dominance of perpetrators vividly shows impunity and its continued narrative. Context on film and advocacy.
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Saskia Wieringa essay (22 Aug 2015, IPT 1965 site) on the army's sexual slander of Gerwani, reconstructing how 'Jamilah, Srikandi of Lubang Buaya' appeared in near-identical newspaper confessions in Nov 1965 and how a teenage Jemilah was arrested in place of the Gerwani leader Atikah. Key analysis of slander as fabrica
English translation (Monash, 2015) of Memori-memori terlarang, research by women pastors and theologians of the JPIT network on women survivors, witnesses and perpetrators across East Nusa Tenggara (Sabu, Kupang, Timor, Alor, Sumba). Regional women's testimony on 1965.
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Annie Pohlman's 2015 monograph, the first book-length study of gendered violence in 1965-66, based on about 150 women survivors: patterns of arrest, torture, rape, sexualised mutilation, strip searches for the 'Gerwani mark', sexual slavery and 'wife-taking'. Key scholarly source.
Wieringa (Indonesian Feminist Journal, Aug 2015): the 'confession' of 'Jamilah, Srikandi of Lubang Buaya' printed identically in four army papers on 5-7 Nov 1965, and the real Jemilah (arrested by mistake for Gerwani leader Atikah, tortured, lost her baby), from Juki Ardi's Aku bukan Jamilah.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Rendi Lustanto's 2015 Jurnal Perempuan essay on the 50th anniversary of 1965: Gerwani women hunted over alleged Lubang Buaya involvement, with media stories of erotic dances and genital mutilation made credible by patriarchal culture. Short reflective piece.
Rendi Lustanto's 27 Sep 2015 Jurnal Perempuan essay on the stigma of women pregnant outside marriage and victims of sexual violence; Gerwani enters only briefly. Opinion piece with little Gerwani content.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
Book by AJAR with Komnas Perempuan (Oct 2015) from participatory research with women survivors. In the 1965 context chapter (pp. 39-40) it describes false rumours about Gerwani and the sexual slander of the generals, with violence against Gerwani members. Survivor testimonies name Christina Sumarmiyati (arrested again
AJAR and partner submission to UN Special Rapporteur Juan Mendez (Oct 2016) arguing 1965 detainees' right to rehabilitation for torture remains denied, citing Law 26/2000 and stalled Komnas HAM findings; partners include women survivors' groups.
Web edition of the final report of the seven judges of the International People's Tribunal 1965 (The Hague, Nov 2015; report 20 July 2016): finds Indonesia responsible for crimes against humanity, including sexual violence and hate propaganda, and the US, UK and Australia complicit.
Final Report of the IPT 1965 judges (20 July 2016, The Hague/Jakarta): origins after The Act of Killing, Saskia Wieringa and Nursyahbani Katjasungkana's roles, and legal reasoning on killing, detention, torture, sexual violence and propaganda. Key text on international legal findings.
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.