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GA-02966 2020 rel C

Filmed Memories of 1965 (Elsa Clavé, Archipel 99, 2020)

Filmed Memories of 1965 (Elsa Clavé, 2020)

Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.

GA-02971 2020 rel C

Transmisi Memori dan Wacana Rekonsiliasi dalam Cerpen Perempuan Sinting di Dapur karya Ugoran Prasad: Kajian Postmemory (Jati, 2020)

Memory transmission and reconciliation discourse in Ugoran Prasad's short story 'Perempuan Sinting di Dapur' (Jati, 2020

2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.

GA-02979 2020 rel C

Forty Years of Silence: The Insanity of Society

Forty Years of Silence: The Insanity of Society (Marching, 2020)

Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander

GA-02984 2020 rel B

The Treachery on YouTube: The Politics of Memory on New Media in Indonesia

The Treachery on YouTube: Politics of Memory on New Media in Indonesia (Parahita and Yulianto, 2020)

Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe

GA-02989 2021 rel B

Bentuk Perlawanan Perempuan melalui Penulisan dalam Album Dunia Milik Kita dan Salam Harapan (Saraswati dan Subono, 2021)

Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)

2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.

GA-02977 2022 rel B licensed

Dialita: Collective Memories of Former Women Political Prisoners during the New Order Era in Java (Lestariningsih and Sunarti, 2022)

Dialita: Collective Memories of Former Women Political Prisoners in Java (Lestariningsih and Sunarti, 2022)

Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.

GA-02988 2022 rel B

Suara Perempuan dalam Lagu Paduan Suara Dialita (Saraswati, 2022)

Women's voices in the songs of the Dialita choir (Saraswati, 2022)

2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.

GA-03033 2025 rel C licensed

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)

Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)