Ummah Yet Proletariat: Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959 (Lin, 2020)
PhD dissertation (History, University of Washington, 2020) by Hongxuan Lin tracing the confluence of Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959, through vernacular print culture; it genealogises Sukarno's NASAKOM. Gerwani appears only briefly: citing Blackburn, it says millions joined for
Fashioning Authoritarianism: Militarization of Society in Indonesia, 1930-1966 (Joshua, 2023)
PhD dissertation (Northwestern, 2023) by Norman Joshua on the militarization of Indonesian society, 1930-1966. It argues the Army intervened in non-military affairs through the 'twin logics' of emergency powers and counterinsurgency, culminating in the New Order. Gerwani appears only in passing: p. 428 gives its claime
Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani
The Heteronormative Family as Moral Infrastructure: Citizenship and National Belonging in Indonesia (Mirna Nadia, 2025)
PhD dissertation (Sociology, Northwestern, Dec. 2025) by Mirna Nadia arguing the heteronormative family acts as 'moral infrastructure' of Indonesian citizenship, via the Marriage Law, the AILA judicial review, the Family Resilience Bill, women household heads and LGBT people. Gerwani appears only in ch. 1's history of
Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)