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GA-02753 2020 rel C

Bedjo Untung memainkan Genjer-Genjer (klip video tweet)

Bedjo Untung Plays Genjer-Genjer (Video Clip, 2020)

45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.

GA-02966 2020 rel C

Filmed Memories of 1965 (Elsa Clavé, Archipel 99, 2020)

Filmed Memories of 1965 (Elsa Clavé, 2020)

Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.

GA-02971 2020 rel C

Transmisi Memori dan Wacana Rekonsiliasi dalam Cerpen Perempuan Sinting di Dapur karya Ugoran Prasad: Kajian Postmemory (Jati, 2020)

Memory transmission and reconciliation discourse in Ugoran Prasad's short story 'Perempuan Sinting di Dapur' (Jati, 2020

2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.

GA-03018 2020 rel A

Narasi Sulami versus Narasi Orde Baru (Rahayu, IndoPROGRESS, 2020)

Sulami's narrative versus the New Order narrative (Rahayu, 2020)

Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.

GA-02989 2021 rel B

Bentuk Perlawanan Perempuan melalui Penulisan dalam Album Dunia Milik Kita dan Salam Harapan (Saraswati dan Subono, 2021)

Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)

2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.

GA-03030 2021 rel B

Potret Pahit Penyintas 1965 dalam You and I (Historia, 2021)

A bitter portrait of 1965 survivors in You and I (Historia, 2021)

Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.

GA-02988 2022 rel B

Suara Perempuan dalam Lagu Paduan Suara Dialita (Saraswati, 2022)

Women's voices in the songs of the Dialita choir (Saraswati, 2022)

2022 Universitas Indonesia gender-studies thesis summary analysing five Dialita songs (Lagu untuk Anakku, Ibu, Salam Harapan, Tetap Senyum Menjelang Fajar, Ujian), written by women prisoners at Ambarawa, Bukit Duri and Plantungan, as feminine writing in Cixous's sense. Lyric analysis.

GA-03711 2025 Bersemai Sekebun and Lauk Buku (zine) rel B

Tamasya Taman Bunga: Mencari Mia Bustam (zine, 2025)

Tamasya Taman Bunga: In Search of Mia Bustam (zine, 2025)

Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women

GA-03712 2025 Bersemai Sekebun and Lauk Buku (zine) rel B

Tamasya Taman Bunga: Mencari Mia Bustam (zine, 2025)

Tamasya Taman Bunga: In Search of Mia Bustam (zine, 2025)

Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women

GA-03025 2026 rel B

Dialita (Wikipedia Indonesia, diakses 2026-10-13)

Dialita (Indonesian Wikipedia, accessed 2026-10-13)

Indonesian Wikipedia article (retrieved 13 Oct 2026) on Dialita ('Di Atas Lima Puluh Tahun'), the Jakarta choir formed 2011 by Uchikowati Fauzia of women ex-prisoners and relatives, trained by Buru ex-prisoner Martin Lapanguli, performing songs composed in prison. Encyclopedic summary.

GA-03026 2026 rel C

Genjer-genjer (Wikipedia Inggris, diakses 2026-10-13)

Genjer-genjer (English Wikipedia, accessed 2026-10-13)

English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.