Harian Rakjat, 16 Jan 1957, p. 3: women's page ('Wanita') with a short story by Sulami (Gerwani) about 'Yu Siyem', a village market woman and Gerwani branch activist who recruits neighbours, tours distant villages and wins her husband's support, showing membership expansion and the Anak-Cabang structure. Also Soviet sc
Third issue of Api Kartini (Aug 1959), tied to the 17 August anniversary and return to UUD 45. Features women in the 1945–49 revolution, a poem against polygamy and cheap female labour, and international women's solidarity for Indonesian independence and West Irian.
Api Kartini (1959) editorial column 'Celebrating National Day': after Indonesia's 17 August, urges readers to welcome the national days of friendly states upholding the Bandung principles. Features the Democratic Republic of Vietnam's 2 September National Day with a poem by Ho Chi Minh. Solidarity propaganda with Asian
Fragmentary Api Kartini (1960) item 'Echoes of Revolution': OCR remnants of a rhetorical piece or poem on women marching, crushing colonialism, and demanding equal rights in politics and economy. Too damaged to summarise beyond title and these themes.
Harian Kami, 29 September 1966. Rosihan Anwar's poem 'Kami Mengenang Kembali' narrates the New Order's founding story in verse and pictures the generals at Lubang Buaya being sunk, with Gerwani implied.
Media Indonesia, 18 Aug 1991, p. 15: review of Y.B. Mangunwijaya's Durga Umayi summarising the heroine's path from Sukarno's household servant to rape, prostitution and becoming 'an important figure in Gerwani', a political fugitive.
Bali Post, 31 May 1992, p. 6: review of Y.B. Mangunwijaya's novel Durga Umayi whose climax has the heroine exposed as a Lekra and Gerwani figure.
Bali Post, 11 Aug 2002, p. 10: short story 'Ngaben' about a PKI activist's family fleeing the 1965–66 Bali killings; the father knew of the plans 'from the stories of the Gerwani women'.
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.
Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.
2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
2021 article applying postmemory and '1.5 generation' concepts to the 1965 novels Pulang (Leila Chudori) and Amba (Laksmi Pamuntjak), distinguishing exiles, 1.5-generation and second-generation characters. Literary context.
2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.
2022 UGM article reading Martin Aleida's short story 'Ode untuk Selembar KTP' through Ranciere: a woman jailed thirteen years, ending at Plantungan, sells land to bribe an official to remove the 'ET' code from her ID. Literary context on stigma.