Harian Rakjat, 16 Jan 1957, p. 3: women's page ('Wanita') with a short story by Sulami (Gerwani) about 'Yu Siyem', a village market woman and Gerwani branch activist who recruits neighbours, tours distant villages and wins her husband's support, showing membership expansion and the Anak-Cabang structure. Also Soviet sc
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
Berita Yudha, 30 Januari 1966 (edisi Minggu). Wayang-based moral column 'Tepa-Palupi (60): Bhatari Durga' retells the cursing of Uma into the demon Durga; Gerwani is invoked implicitly through the female-demon figure.
Harian Kami, 29 September 1966. Rosihan Anwar's poem 'Kami Mengenang Kembali' narrates the New Order's founding story in verse and pictures the generals at Lubang Buaya being sunk, with Gerwani implied.
Angkatan Bersendjata, 9 Oktober 1966 (edisi Mingguan). Cultural-page polemic against Lekra calls it a 'myth' that 'without Gerwani the women's movement has no meaning'; issue dominated by ABRI's 21st anniversary and the Subandrio trial.
Berita Yudha, 19 Oktober 1966. Issue dominated by Subandrio's Mahmillub trial; a short Gerwani item on p. 2, with a Yogyakarta feature on villagers hearing the trial by radio opening with 'Genjer-genjer'.
TAPOL Bulletin no. 15, April 1976. Editorial links East Timor killings to the 1965-66 massacres; the issue devotes pages to a mimeographed East Java massacre report and to translated fictional accounts (Gestapu: Indonesian Short Stories, ed. Harry Aveling). Gerwani appears incidentally: victims included members of the
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Unsiyah Marhamah's 2016 review in Jurnal Perempuan of Saskia Wieringa's novel The Crocodile Hole, following a Dutch researcher in 1980 investigating Gerwani and 1965 with ex-prisoner informants; argues fiction can convey historical facts. Literary treatment of Gerwani.
Wieringa's five-page review (Archipel 99, 2020) of Maj Wechselmann's documentary The Women and the Generals, which shows the army fabricated the story that Gerwani seduced and castrated the generals at Lubang Buaya as the core of the propaganda campaign. Film review.
Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.
Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.
2023 Padjadjaran article reading three short stories by Sugiarti Siswadi (Lekra board member, Gerwani activist, Api Kartini co-initiator) as expressions of her feminism; stories first appeared in Api Kartini 1960-61. Rare study of a Gerwani writer.
English Wikipedia article (retrieved 13 Oct 2026) on the folk song Genjer-genjer by Muhammad Arief: 1942 Banyuwangi famine origin, 1963 peak on TVRI/RRI, and its place in the Lubang Buaya myth that Pemuda Rakyat and Gerwani sang it while mutilating the generals; banned until 1998. Encyclopedic summary.