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GA-02126 1990 Pravda rel B

Pravda, 30 October 1990, No. 303: Indonesia: Strokes to a Tragedy of 35 Years Ago

Pravda, 30 Oct 1990: 'Indonesia: strokes to a tragedy of 35 years ago' (V. Shurygin)

Pravda, 30 October 1990 (No. 303), p. 5: V. Shurygin's retrospective 'Indonesia: strokes to a tragedy of 35 years ago' on the 1965 coup, Suharto's rise and the destruction of the PKI by a Pravda correspondent who was in Indonesia. Gerwani appears once, listed as the PKI's women's organisation alongside SOBSI, BTI, Pemu

GA-02127 1990 Pravda rel B

Pravda, 1990, No. 303: V. Shurygin, 'Indonesia: goresan tragedi 35 tahun lalu'

Pravda, 1990: Shurygin, 'Indonesia: strokes to a tragedy of 35 years ago' (excerpt)

Pravda (Nov/Dec 1990, No. 303) archive.org OCR excerpt of V. Shurygin's retrospective 'Indonesia: strokes to a tragedy of 35 years ago'. Lists Gerwani among PKI-affiliated mass organisations, cites up to 500,000 killed, notes slander turned opinion against communists, and says ~50,000 of 1.4 million ex-prisoners may vo

GA-02128 1990-10-30 Pravda rel C licensed

Pravda, 30 Oktober 1990, hlm. 5: 'Indonesia: goresan tragedi 35 tahun lalu'

Pravda, 30 Oct 1990, p. 5: Shurygin, 'Indonesia: strokes to a tragedy of 35 years ago' (full page)

Pravda, 30 Oct 1990, p. 5: full page with V. Shurygin's (Pravda-TASS) article 'Indonesia: strokes to a tragedy of 35 years ago', a Soviet correspondent's retrospective on the 1965 coup, Sukarno's choice at Halim, up to 500,000 communists killed, and slander-driven anti-communist propaganda. Gerwani appears once, listed

GA-03062 2020 rel A licensed

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia, 1945-1966

Years of Dressing Dangerously: Modern Women, National Identity and Moral Crisis in Sukarno's Indonesia (Sullivan, 2020)

Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation