Issue no. 71 (September 1985) of TAPOL Bulletin, the British campaign for Indonesian political prisoners. It carries an anonymous ex-prisoner's article on the 'G30S/PKI' symbol, reports on death-row prisoners, the Gatot defence statement, harassment of ex-prisoners and military reorganisation. Gerwani appears only once
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Rania Dhiyaulhaq Aisyah, 'Transformasi Gerwani' (Jurnal Sejarah Indonesia 8:2, 2025), a literature-based article on Gerwani's pre-1965 gender activism (education, health, anti-polygamy, 1955 elections, PKI ties, congresses) and its post-1965 stigmatisation. It repeats Wieringa's finding that the Lubang Buaya sexual-vio