PhD dissertation (Yale, 1967) by R. William Liddle, a political-science study of local parties and political integration in Simalungun regency and Pematangsiantar, North Sumatra, based on 1963-64 fieldwork. Gerwani appears in a few brief passages in ch. VI: listed among PKI mass organizations (p. 190), given no members
Published proceedings of the 7th Congress of the Women's International Democratic Federation (WIDF), Berlin, 26 October 1975: opening and general-secretary addresses (Aruna Asaf Ali, Fanny Edelman), the report on WIDF work since the 1969 Helsinki congress, finance and credentials reports, the Prospective Plan to 1980 a
Mursidah's 2012 survey of Indonesian women's organisations as a 'feminist movement', from Kartini to the New Order and left activism today; about two pages on Gerwani. Thin general overview.
Historia.id article (preview only) titled 'Gerwani dan Hak Anak'; the free preview covers only the New Order's National Children's Day (1984) and Decade of the Child (1986), not Gerwani. Little usable content.
Audio track (5:43) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:44) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (5:48) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah, Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:28) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Sisir Tanah. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083). The title refers to GANEFO
Audio track (3:37) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (4:35) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Frau and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
Audio track (2:12) from the 2016 album 'Dunia Milik Kita' by Dialita, a choir of 1965 survivors and relatives; guest artist(s): Cholil Mahmud and Lintang Radittya. The album records songs written by women political prisoners and former Gerwani/leftist circles in the 1960s-70s, newly arranged (Yes No Wave YESNO083).
PhD dissertation (History, University of Washington, 2020) by Hongxuan Lin tracing the confluence of Islam and Marxism in the Netherlands East Indies and Indonesia, 1915-1959, through vernacular print culture; it genealogises Sukarno's NASAKOM. Gerwani appears only briefly: citing Blackburn, it says millions joined for
PhD dissertation (Sociology, Northwestern, Dec. 2025) by Mirna Nadia arguing the heteronormative family acts as 'moral infrastructure' of Indonesian citizenship, via the Marriage Law, the AILA judicial review, the Family Resilience Bill, women household heads and LGBT people. Gerwani appears only in ch. 1's history of