Thirty-one production photographs from Edhi Sunarso's studio of life-size figures for the Lubang Buaya 'torture house' diorama, showing generals, bound captives and assailants in fatigues. Shows how the Lubang Buaya scene was physically fabricated.
Seventeen photographs of the sculptors' group Keluarga Arca installing miniature dioramas (Yani abduction, Lubang Buaya training, recovery of bodies) c. 1980-81, plus later life-size figures. Visual evidence of how the Paseban dioramas were made.
Het Nieuwsblad voor Sumatra (21 Aug 1954, p.1): the PKI central committee announces that three non-party leaders (Prof. Purbodiningrat, Dr Tjokronegoro and the painter Hendra Gunawan) will appear on its election list, and recalls earlier announcement that Taher Thajeb, Mrs Salawati Daud and Henk Ngantung agreed to stan
De Waarheid, 17 Aug 1955, p. 1: newspaper house advertisement for the day's issue marking ten years of the Indonesian Republic, pointing readers to the poem 'Vrijheid' by Sugiarti Siswadi on p. 1 and an article by Cor Geugjes on p. 3. The item contains no text on Gerwani itself.
De Waarheid, 17 Aug 1955, p. 1: Dutch-language poem 'Vrijheid' (Freedom) attributed to Sugiarti Siswadi, published for the tenth anniversary of Indonesian independence. It evokes freedom as sowing seed on one's own land, a full granary and children returning home. No mention of Gerwani.
Indische Courant voor Nederland, 22 Mar 1956, p. 2: installation of the new Film Censorship Committee (chair Maria Ulfah Santoso) and Film Council; Setiati Surasto and S. Kartowijono are listed among the committee's members.
Pewarta Soerabaia, 3 Jan 1957, p. 4: Malang item on Gerwani Kota Besar Malang celebrating its sixth anniversary (30–31 Dec 1956) with a history of its founding, about 100 members and a sandiwara; page damaged.
Harian Rakjat, 16 Jan 1957, p. 3: women's page ('Wanita') with a short story by Sulami (Gerwani) about 'Yu Siyem', a village market woman and Gerwani branch activist who recruits neighbours, tours distant villages and wins her husband's support, showing membership expansion and the Anak-Cabang structure. Also Soviet sc
Inaugural issue of Api Kartini (June 1959), published by Jajasan Melati with Maasje Siwi as editor in chief. Built around Hari Kartini: Kartini's writings and socialist reading, profiles, and contributions from S.K. Trimurti, Rukiah Kertapati and Sulami.
Second issue of Api Kartini (Jajasan Melati, 1959). Covers the Vienna World Youth Festival delegation, West Irian, World Children's Day, Pramoedya's call to publish Kartini's works, an interview with athlete Karnah, and health and household columns.
US Monthly Indonesian Press Survey (1959-60) extracts. A review of the new monthly Api Kartini, published by Yayasan Melati and headed by Maasje Siwi, lists its editors (S. Asijah, Darmini, Parjani Pradono, S.K. Trimurti, Rukiah Kertapati and others). Parliamentary notes list Umi Sardjono (functional group for women) a
'Minah', a 1960 short story by Sulami in Women of the Whole World, winning that magazine's monthly contest. Set in colonial and Japanese-occupation Java: Minah fights for schooling at Kartini's school, is married off, then resists Japanese Commander Josida's attempt to take her as second wife; Josida is shot as the ind
Double issue (Apr–May 1961, 40 pp.) for Kartini Day and Education Day, dense with transnational content including a visiting Chinese cultural mission and embassy commemorations in Cairo, Rome, Moscow and New York.
July 1961 issue: interview on National Children's Week and education budget, Central Kalimantan customary law refuting colonial stereotypes, Sukarno's Manifesto against rock and roll, and French WIDF-affiliated women's press.
1961 short story 'The dawn is breaking' by Sulami, 'our Indonesian correspondent', in Women of the Whole World. Peasant woman Sarinah, active in the peasant organisation, explains the new Agrarian Act and land reform to village women, including women's right to own land and head households; landlords pay the government
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
IISG photograph (c.1963): outdoor group photo of Francisca Fanggidaej, in glasses and striped blouse, with several men, one identified as the poet Agam Wispi. Identifications come from the file title; no caption text in the image.
Snippet-only Renmin Ribao item (30 Sept 1963, p. 4): a Chinese Fujian puppet troupe arrives in Indonesia at Gerwani's invitation and is welcomed at the airport by Gerwani leaders, including Mrs Suwati (vice-chair), Mrs Mudigdio and the general secretary. Evidence of Gerwani-China cultural exchange. Full text is GA-0190
Xinhua dispatch in Renmin Ribao (30 Sept 1963, p. 4): the Chinese Fujian puppet troupe led by Zhang Fang arrived in Jakarta on 29 September to perform at Gerwani's invitation. Gerwani vice-chair Suwati, Mudigdio and the general secretary (name garbled in translation) welcomed it, with a Chinese Embassy counsellor. Show
Snippet-only Renmin Ribao item (10 Oct 1963, p. 3): the Chinese Fujian puppet troupe leaves Jakarta for Yogyakarta, accompanied by a Gerwani Central Committee member (name uncertain), after two Jakarta performances. Full text is GA-01918.
Xinhua note in Renmin Ribao (10 Oct 1963, p. 3): the Fujian puppet troupe, after two Jakarta shows, flew to Yogyakarta, accompanied by a Gerwani Central Committee member (name uncertain). Planned tour: Solo, Malang, Surabaya, Semarang, Cirebon and Bandung. Shows Gerwani organising Chinese cultural tour across Java.
Snippet-only Renmin Ribao item (22 July 1965, p. 4): Kang Keqing of the All-China Women's Federation hosts a banquet for a Gerwani puppet-art study delegation led by a Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July at the Federation's invitation. Full text is GA-01978.
Brief Xinhua note in Renmin Ribao (22 July 1965, p. 4): on 19 July Kang Keqing, vice-chair of the All-China Women's Federation, gave a banquet for the Gerwani delegation studying puppet art, led by Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July as guests of the Federation. Evidence of Gerwan
Snippet-only Renmin Ribao extract (1 Oct 1965, p. 3) on foreign guests at China's 16th National Day. It lists a Gerwani delegation for the study of puppet art (leader's name uncertain) among Indonesian groups; truncated. Full text is GA-01980.
Berita Yudha, 30 Januari 1966 (edisi Minggu). Wayang-based moral column 'Tepa-Palupi (60): Bhatari Durga' retells the cursing of Uma into the demon Durga; Gerwani is invoked implicitly through the female-demon figure.
Harian Kami, 29 September 1966. Rosihan Anwar's poem 'Kami Mengenang Kembali' narrates the New Order's founding story in verse and pictures the generals at Lubang Buaya being sunk, with Gerwani implied.
Berita Yudha, 19 Oktober 1966. Issue dominated by Subandrio's Mahmillub trial; a short Gerwani item on p. 2, with a Yogyakarta feature on villagers hearing the trial by radio opening with 'Genjer-genjer'.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.