Thirty-one production photographs from Edhi Sunarso's studio of life-size figures for the Lubang Buaya 'torture house' diorama, showing generals, bound captives and assailants in fatigues. Shows how the Lubang Buaya scene was physically fabricated.
Seventeen photographs of the sculptors' group Keluarga Arca installing miniature dioramas (Yani abduction, Lubang Buaya training, recovery of bodies) c. 1980-81, plus later life-size figures. Visual evidence of how the Paseban dioramas were made.
Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Bing Slamet (2:42, one track from a 29-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
1960s recording of 'Genjer-genjer' (song by Muhammad Arief) sung by popular entertainer Lilis Suryani (2:45, one track from a 35-track compilation on the Internet Archive). Shows the song's mainstream popularity before it was banned and tied to the PKI and the Lubang Buaya slander after 1965. Audio description only.
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Article by Utami Suryadarma, chair of the Film Censorship Committee, reprinted in Varia (17 Jan 1962), explaining the committee's new approach to Western, socialist and Afro-Asian film imports under free-and-active foreign policy.
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Quest: A Feminist Quarterly, Vol. IV no. 2 (Winter 1978, 'International Feminism'), carrying on p. 32 the poem 'Asian Women and Political Repression' by Sugiarti Siswadi, in which women declare they are no longer only wives of heroes but 'worker soldiers'. A headnote begins 'Mrs. Siswadi, a well-known Indonesian poet,
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
One-hour (55:48) audio compilation of songs associated with the Indonesian communist movement and the Sukarno era, compiled and uploaded by GETchan to the Internet Archive in 2016. Description only; no track list or transcript, so Gerwani content cannot be confirmed.
Live audio (12:06), 2016, of the Dialita choir of women survivors of 1965 and relatives performing at LBH Jakarta during the Belok Kiri (Turn Left) Festival. Documents survivors' song as public memory work. Description only; no repertoire listed.
45-second phone video clip posted on Twitter by Vincent Bevins on 18 May 2020. Per its title, Bedjo Untung, chair of the 1965 victims' association YPKP 65, plays 'Genjer-genjer' on an upright piano at home while another older man moves to the music. Illustrates the song's use in survivors' memory work.
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women
Booklet by the Bersemai Sekebun community and Lauk Buku (2025) retracing the life of artist and Lekra figure Mia Bustam through Semarang sites, with essays and a tour report. It covers her 1965 arrest, imprisonment in Plantungan camp and Bulu women's prison, and her four memoirs. Gerwani is not named; it concerns women