Gerwani Archive
Researcher log in
Sort: oldest first · newest first · export CSV
GA-03038 1983 rel B licensed

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia: Its History and Role (MA thesis, Australian National University, 1983)

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)

Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column

GA-03055 2000 rel B licensed

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)

PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing

GA-02978 2009 rel B

Aku Seorang Gerwani (puisi, Omie Lubis, IndoPROGRESS, 2009)

Aku Seorang Gerwani: poem (Omie Lubis, 2009)

Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.

GA-03713 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-03714 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-02974 2013 rel A licensed

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, introduction and ch. 2, 2013)

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)

Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.

GA-02982 2015 rel B licensed

Genjer-genjer, Lagu yang Ditakuti Sejarah (Tempo, Ika Ningtyas, 2015)

Genjer-genjer, the song feared by history (Tempo, Ika Ningtyas, 2015)

Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.

GA-02969 2017 rel C

Jejak Kekerasan pada Novel Tarian Bumi Karya Oka Rusmini (Haryanti, 2017)

Traces of violence in the novel Tarian Bumi by Oka Rusmini (Haryanti, 2017)

Novi Haryanti's 2017 postcolonial-feminist reading of Oka Rusmini's Balinese novel Tarian Bumi, arguing 1965 politics and caste adat both produce violence on women; notes 1965 is rarely a literary subject. Literary context; Gerwani not central.

GA-02964 2019 rel C

Postmemory dalam Novel Tapol Karya Ngarto Februana (Assa, 2019)

Postmemory in the novel Tapol by Ngarto Februana (Assa, 2019)

Anna Assa's 2019 literary thesis applying Hirsch's postmemory to Ngarto Februana's novel Tapol (2002), arguing the author received 1965 memory affiliatively from three elderly ex-prisoners. Literary context; Gerwani not central.

GA-02973 2019 rel B

Mit Musik das Schweigen brechen (Anett Keller, südostasien, 2019)

Breaking the silence with music (Anett Keller, 2019)

Anett Keller's 2019 südostasien feature (German) on music breaking silence about 1965: Genjer-genjer and its composer Muhammad Arief, Lekra composer Subronto Atmodjo, New Order policy, and post-1998 projects. Context on music and memory.

GA-02966 2020 rel C

Filmed Memories of 1965 (Elsa Clavé, Archipel 99, 2020)

Filmed Memories of 1965 (Elsa Clavé, 2020)

Elsa Clave's introduction (Archipel 99, 2020) to a dossier on 1965 and cinema, arguing memory remains institutionalised in museums and monuments and stigma of communism is easily manipulated, as in the 2017 attack on LBH Jakarta. Context on film and memory.

GA-02971 2020 rel C

Transmisi Memori dan Wacana Rekonsiliasi dalam Cerpen Perempuan Sinting di Dapur karya Ugoran Prasad: Kajian Postmemory (Jati, 2020)

Memory transmission and reconciliation discourse in Ugoran Prasad's short story 'Perempuan Sinting di Dapur' (Jati, 2020

2020 UGM article applying postmemory to Ugoran Prasad's short story 'Perempuan Sinting di Dapur', in which a dying man's guilt over slandering a widow's husband as an infidel in 1965 is transmitted to a young narrator. Literary context; Gerwani not named.

GA-02979 2020 rel C

Forty Years of Silence: The Insanity of Society

Forty Years of Silence: The Insanity of Society (Marching, 2020)

Film review by Soe Tjen Marching (Archipel 99, 2020, pp. 35-40) of Robert Lemelson's documentary '40 Years of Silence' (2009), following four families in Bali and Central Java affected by 1965-66, with attention to trauma, stigma ('child of communists') and the New Order propaganda film. Gerwani and the sexual slander

GA-02984 2020 rel B

The Treachery on YouTube: The Politics of Memory on New Media in Indonesia

The Treachery on YouTube: Politics of Memory on New Media in Indonesia (Parahita and Yulianto, 2020)

Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe

GA-03018 2020 rel A

Narasi Sulami versus Narasi Orde Baru (Rahayu, IndoPROGRESS, 2020)

Sulami's narrative versus the New Order narrative (Rahayu, 2020)

Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.

GA-02989 2021 rel B

Bentuk Perlawanan Perempuan melalui Penulisan dalam Album Dunia Milik Kita dan Salam Harapan (Saraswati dan Subono, 2021)

Women's resistance through writing in the albums Dunia Milik Kita and Salam Harapan (Saraswati and Subono, 2021)

2021 article by Saraswati and supervisors on Dialita's albums Dunia Milik Kita (2016) and Salam Harapan (2019), arguing songs by women prisoners are 'penulisan perempuan' and a form of resistance, with an account of Dialita's origins. Companion to the 2022 thesis summary.