Wieringa's five-page review (Archipel 99, 2020) of Maj Wechselmann's documentary The Women and the Generals, which shows the army fabricated the story that Gerwani seduced and castrated the generals at Lubang Buaya as the core of the propaganda campaign. Film review.
Tempo feature (2 Oct 2021, Riky Ferdianto and Mustafa Silalahi) on Umi Sardjono in Bukit Duri prison (detained 20 Oct 1965, solitary cell as category A, 'Senayan cluster' with Dahliar, Mudigdio, Salawati Daud, Kartinah Kurdi). Witnesses Mudjiati, Utati, Nani Nurani Affandi describe forced confessions of Lubang Buaya da
Tempo column (2 Oct 2021, Budi Setyarso) using Umi Sardjono's life to argue that 1965 history is still painted in black and white. It notes her arrest without trial, Bukit Duri and Plantungan until 1979, Gerwani's origins in Gerwis, about 1.5 million members by 1960, literacy courses, her immigration and marriage-law w
English edition of the Tempo column 'Umi Sardjono and the Annual Ghost' (4 Oct 2021) arguing that 1965 history is still black and white. It uses Umi Sardjono's life (arrest without trial, Bukit Duri, Plantungan to 1979), Gerwani's Gerwis origins, a mid-1960s membership of 1.5 million, literacy classes, her immigration
Tempo English cover story 'Traumatic Burden of 1965' (4 Oct 2021, Dini Pramita) on Umi Sardjono's silence and guilt after release in 1978. Ita Fatia Nadia read her a Medan woman's testimony of gang rape and public parading, and showed Sudjinah's X-ray; Umi wept, saying it was her responsibility. It covers her life in t
Rania Dhiyaulhaq Aisyah, 'Transformasi Gerwani' (Jurnal Sejarah Indonesia 8:2, 2025), a literature-based article on Gerwani's pre-1965 gender activism (education, health, anti-polygamy, 1955 elections, PKI ties, congresses) and its post-1965 stigmatisation. It repeats Wieringa's finding that the Lubang Buaya sexual-vio
MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)