Gerwani Archive
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GA-03038 1983 rel B licensed

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia: Its History and Role (MA thesis, Australian National University, 1983)

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)

Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column

GA-03055 2000 rel B licensed

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)

PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing

GA-02752 2009 rel C

Genjer Genjer, Hiphop Version

Genjer Genjer, Hip-Hop Version (2009)

Anonymous 2009 hip-hop version (4:33, MP3) of 'Genjer-genjer', the Banyuwangi folk song by Muhammad Arief that became associated with the PKI/Gerwani milieu and was banned under the New Order. Shows the song's afterlife in contemporary youth culture. Description only; no lyrics transcribed.

GA-02978 2009 rel B

Aku Seorang Gerwani (puisi, Omie Lubis, IndoPROGRESS, 2009)

Aku Seorang Gerwani: poem (Omie Lubis, 2009)

Free-verse poem 'Aku Seorang Gerwani' by Omie Lubis (IndoPROGRESS, 5 May 2009): a Gerwani woman's monologue to her child born of rape, describing forced nakedness and forced 'painting of history', ending as a testament to truth and justice. Literary representation.

GA-03713 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-03714 2012 KITLV Press (Verhandelingen 274), Leiden rel B

Heirs to World Culture: Being Indonesian 1950–1965

Heirs to World Culture: Being Indonesian 1950-1965 (KITLV Press, 2012)

Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c

GA-02974 2013 rel A licensed

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, introduction and ch. 2, 2013)

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)

Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.

GA-02984 2020 rel B

The Treachery on YouTube: The Politics of Memory on New Media in Indonesia

The Treachery on YouTube: Politics of Memory on New Media in Indonesia (Parahita and Yulianto, 2020)

Journal article by Gilang Desti Parahita and Vissia Ita Yulianto (Archipel 99, 2020, pp. 47-73) on how YouTube reproduces the New Order's 'Pengkhianatan G30S/PKI' as monumental memory while alternative 1965 films circulate far less. Gerwani appears on p. 63: filmmaker Lexy Rambadetta, after meeting former Gerwani membe

GA-03018 2020 rel A

Narasi Sulami versus Narasi Orde Baru (Rahayu, IndoPROGRESS, 2020)

Sulami's narrative versus the New Order narrative (Rahayu, 2020)

Ruth Indiah Rahayu's 2020 essay introducing Sulami's unpublished two-volume prison novel Menanti Rembulan Ndadari, written in the 1970s, with Sulami's biography (arrested 6 Oct 1967) and the conditions of writing in Bukit Duri and Tangerang, set against New Order narratives.

GA-03030 2021 rel B

Potret Pahit Penyintas 1965 dalam You and I (Historia, 2021)

A bitter portrait of 1965 survivors in You and I (Historia, 2021)

Historia review (5 May 2021) of Fanny Chotimah's documentary You and I, following two elderly Solo survivors, Kaminah and Sri Kusdalini, former choir members under Pemuda Rakyat held as political prisoners; Kaminah's bond began in Gerwis/Gerwani's women's field. Film review.

GA-02977 2022 rel B licensed

Dialita: Collective Memories of Former Women Political Prisoners during the New Order Era in Java (Lestariningsih and Sunarti, 2022)

Dialita: Collective Memories of Former Women Political Prisoners in Java (Lestariningsih and Sunarti, 2022)

Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.

GA-02991 2022 rel C licensed

Mohammad Arief, Anak Santri Pencipta Lagu Genjer-genjer (Historia, pratinjau)

Mohammad Arief, santri's son who composed Genjer-genjer (Historia preview, 2022)

Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.

GA-03033 2025 rel C licensed

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)

Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)