Gerwani Archive
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GA-02802 1961 Kate Luders rel C licensed

Dance, Music, Architecture - Lively Testimony to Indonesian Culture (Kate Lüders with Dagmar Bothas)

Dance, Music, Architecture: Testimony to Indonesian Culture (Lüders and Bothas)

Women of the Whole World, 1961: staff writer Kate Lüders interviews Dagmar Bothas about a four-month government-guest visit to Java, Bali and Kalimantan, emphasising dance, music, temples and the literacy campaign (Minister Prijono). Gerwani appears only in a caption about May Day demonstrations; background material.

GA-01905 1963-09-30 Renmin Ribao rel A licensed

Renmin Ribao, 30 September 1963: Rombongan wayang boneka Fujian tiba di Indonesia (我福建木偶表演团到达印度尼西亚)

Fujian puppet troupe arrives in Indonesia at Gerwani's invitation (snippet)

Snippet-only Renmin Ribao item (30 Sept 1963, p. 4): a Chinese Fujian puppet troupe arrives in Indonesia at Gerwani's invitation and is welcomed at the airport by Gerwani leaders, including Mrs Suwati (vice-chair), Mrs Mudigdio and the general secretary. Evidence of Gerwani-China cultural exchange. Full text is GA-0190

GA-01906 1963-09-30 Renmin Ribao rel A licensed

Renmin Ribao, 30 September 1963: Rombongan wayang boneka Fujian tiba di Indonesia (我福建木偶表演团到达印度尼西亚)

Fujian puppet troupe arrives in Indonesia at Gerwani's invitation

Xinhua dispatch in Renmin Ribao (30 Sept 1963, p. 4): the Chinese Fujian puppet troupe led by Zhang Fang arrived in Jakarta on 29 September to perform at Gerwani's invitation. Gerwani vice-chair Suwati, Mudigdio and the general secretary (name garbled in translation) welcomed it, with a Chinese Embassy counsellor. Show

GA-01918 1963-10-10 Renmin Ribao rel A licensed

Renmin Ribao, 10 Oktober 1963: Rombongan wayang boneka Fujian tampil keliling Indonesia (我福建木偶表演团在印度尼西亚巡回演出)

Fujian puppet troupe tours Indonesia

Xinhua note in Renmin Ribao (10 Oct 1963, p. 3): the Fujian puppet troupe, after two Jakarta shows, flew to Yogyakarta, accompanied by a Gerwani Central Committee member (name uncertain). Planned tour: Solo, Malang, Surabaya, Semarang, Cirebon and Bandung. Shows Gerwani organising Chinese cultural tour across Java.

GA-01977 1965-07-22 Renmin Ribao rel A licensed

Renmin Ribao, 22 Juli 1965: Wakil Ketua Federasi Wanita Tiongkok menjamu tamu Indonesia (我全国妇联副主席宴请印度尼西亚客人)

Women's federation vice-chair hosts Gerwani puppet-art study delegation (snippet)

Snippet-only Renmin Ribao item (22 July 1965, p. 4): Kang Keqing of the All-China Women's Federation hosts a banquet for a Gerwani puppet-art study delegation led by a Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July at the Federation's invitation. Full text is GA-01978.

GA-01978 1965-07-22 Renmin Ribao rel A licensed

Renmin Ribao, 22 Juli 1965: Wakil Ketua Federasi Wanita Tiongkok menjamu tamu Indonesia (我全国妇联副主席宴请印度尼西亚客人)

Women's federation vice-chair hosts Gerwani puppet-art study delegation

Brief Xinhua note in Renmin Ribao (22 July 1965, p. 4): on 19 July Kang Keqing, vice-chair of the All-China Women's Federation, gave a banquet for the Gerwani delegation studying puppet art, led by Mrs Muljati Gondjajo (name uncertain), which arrived in Beijing on 17 July as guests of the Federation. Evidence of Gerwan

GA-01980 1965-10-01 Renmin Ribao rel B licensed

Renmin Ribao, 1 Oktober 1965: Tamu dari delapan puluh negara merayakan Hari Nasional (我们的朋友遍于全世界)

Guests from eighty countries celebrate China's National Day on the eve of the 1965 coup

Xinhua report in Renmin Ribao (1 Oct 1965, p. 3) on 2,000+ guests at China's 16th National Day, dated the eve of the 1965 coup. Only Indonesian items are translated: MPRS and economic delegations, a PKI delegation under Sidik Kertapati, SOBSI, Harian Rakjat and a Gerwani puppet-art study delegation (leader's name uncer

GA-03038 1983 rel B licensed

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia: Its History and Role (MA thesis, Australian National University, 1983)

Harian Rakjat, Daily Newspaper of the Communist Party of Indonesia (Groves, 1983)

Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column

GA-03055 2000 rel B licensed

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period

Autobiographical Fictions: Indonesian Women's Writing from the Nationalist Period (Shackford-Bradley, 2000)

PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing

GA-02242 2011-01-31 Tempo rel A licensed

Gerwani dalam Koreografi

Tempo, 31 January 2011: Gerwani in choreography ('Tjap Merah')

Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most

GA-02246 2012-10-01 Tempo rel B licensed

Film, Teror Negara, dan Luka Bangsa (Ariel Heryanto)

Tempo, 1 October 2012: Film, state terror and the nation's wound (Ariel Heryanto)

Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press

GA-02269 2012-10-01 Tempo rel B licensed

Pengakuan Anwar Congo

Tempo, 1 October 2012: Anwar Congo's confession

Tempo piece (1 Oct 2012) on how Joshua Oppenheimer met perpetrators, from Matapao plantation workers to Anwar Congo and the Pasukan Kodok / Pemuda Pancasila in Medan. It cites Amir Hasan's pamphlet 'Embun Berdarah' on Teluk Mengkudu, which lists 702 PKI-linked villagers by affiliation, including Gerwani, and records an

GA-02974 2013 rel A licensed

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, introduction and ch. 2, 2013)

The Dance That Makes You Vanish: Cultural Reconstruction in Post-Genocide Indonesia (Larasati, 2013)

Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.

GA-02280 2016-02-08 Tempo rel A licensed

Mintardjo dan Sepenggal Cerita Gerwis

Tempo, 8 February 2016: Mintardjo and a fragment of Gerwis history

Tempo review (8 Feb 2016) of Elisabeth Ida Mulyani's video 'Supervivere' on 1965 exiles (Mintardjo and nine others in the Netherlands and Sweden), shown in Yogyakarta with a charcoal portrait 'Suti, Plight of Gerwani' by Dewi Candraningrum. It describes Suti, 95, founder of Gerwis Musuk/Boyolali in 1952, a literacy cam

GA-02977 2022 rel B licensed

Dialita: Collective Memories of Former Women Political Prisoners during the New Order Era in Java (Lestariningsih and Sunarti, 2022)

Dialita: Collective Memories of Former Women Political Prisoners in Java (Lestariningsih and Sunarti, 2022)

Memory Studies article (2022) on the Dialita choir of former women political prisoners and relatives as a vehicle for identity and 'cultural reconciliation', drawing on interviews with Uchikowati, Utati and others; co-author wrote a book on Plantungan Gerwani prisoners. Key study.

GA-02991 2022 rel C licensed

Mohammad Arief, Anak Santri Pencipta Lagu Genjer-genjer (Historia, pratinjau)

Mohammad Arief, santri's son who composed Genjer-genjer (Historia preview, 2022)

Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.

GA-02306 2024-12-11 Tempo rel B licensed

Hari HAM Sedunia: Bagaimana Dialita Melawan Stigma Tragedi 1965

Tempo.co, 11 December 2024: Human Rights Day - how Dialita fights the stigma of the 1965 tragedy

Tempo.co report (11 Dec 2024, Ihsan Reliubun and Reza Maulana) on the Dialita choir at Human Rights Day and Mia Bustam's book launch. Chair Uchikowati's mother Hartati was a Gerwani member; her parents were arrested on 1 Nov 1965 (mother freed 1973). Dialita was founded in 2011 by ex-prisoners from Bukit Duri, Ambarawa

GA-02931 2025 rel A licensed

From the Men They Took Their Labor, from the Women They Took Everything (Sarbinatun, trans. Nancy Florida, 2025)

From the Men They Took Their Labor, from the Women They Took Everything (Sarbinatun, transl. Florida, 2025)

Nancy Florida's annotated English translation (Indonesia, Oct 2025) of Sarbinatun's testimony: Lekra dancer and IPPI president, married at 17 to a PKI Special Bureau man, tortured in Solo and Semarang, held at Plantungan until 1979 and accused as Gerwani though never a member.

GA-03033 2025 rel C licensed

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965

Red Nanyang: Chinese-Language Literature of Indonesia, 1945-1965 (Borgonjon, 2025)

Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani

GA-03032 2026 rel C licensed

Counter-Monuments: Art and Memory in Post-1965 Indonesia

Counter-Monuments: Art and Memory in Post-1965 Indonesia (Bontrager, 2026)

MA thesis (University of Georgia, 2026) by Alyx L. Bontrager on how Indonesian artists Rangga Purbaya, Dadang Christanto and Leyla Stevens use testimony, embodiment and place as memory activism against the silencing of the 1965-66 genocide, theorised as 'counter-monuments'. Gerwani appears only in passing: ch. 2 (p. 7)