Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Short Lekra booklet of 1961 mourning Patrice Lumumba, with poems by S. Anantaguna, Bandaharo, Njoto and Sitor Situmorang, translated into English (file name credits Bintang Suradi). It closes with 'A Letter for Pauline', written by the young woman writer Sugiarti Siswadi for International Women's Day 1961. Gerwani is n
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
Neues Deutschland p. 5 (28 May 1961), report on the Fifth German Writers' Congress in East Berlin. Among foreign guests' greetings, 'Frau Rukiah Kertapati' opened the third congress day by bringing greetings from Indonesian writers. The rest of the page is speeches by East German writers; the identification with the Le
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
English anthology of progressive Indonesian poetry, 1955-61 (introduction dated Djakarta, 8 May 1962), from Zaman Baru, Harian Rakjat and Bintang Timur. Its contributor notes state that the poet Sugiarti Siswadi, who visited Romania (1955) and the GDR, USSR and China (1961) with Rukiah Kertapati as LEKRA delegation hea
JPRS translation page (Translations on South and East Asia, 1964, seq 520) on a PKI national conference on revolutionary literature and art. Secretary Sudisman opens it; a 17-person presidium includes D.N. Aidit, Njoto, S. Rukiah and Mia Bustam from Central Java; Aidit reports on serving workers, peasants and soldiers
Moscow News (English), 25 April 1964, pp. 13-16 section. Includes a travelogue by a Soviet cultural-delegation member on Indonesia (new Jakarta monuments, Soviet-built stadium, 100,000 students, Lekra in Bandung) and a short item on a Moscow meeting marking Kartini's birth, run by the USSR-Indonesia Society's Women's C
De Waarheid, 6 Nov 1976, p. 2: fragment on Suharto's destruction of the Lekra cultural movement in 1965 (book burnings, banned art), with a long list of murdered or imprisoned artists, including Pramoedya, Henk Ngantung, Bujung Saleh and writer Sugiarti Siswadi, noted as sentenced to 12 years (OCR garbled). Also an unr
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
De Waarheid report (30 Nov 1987, p.4) on the launch of the Wertheim Foundation, where W.F. Wertheim praised a Hendra painting of a male and female guerrilla. He argued that the Suharto regime rests on mass murder and falsified history, and that one task is to write the real history of Gerwani, Lekra, SOBSI and the PKI.
PhD dissertation (UC Berkeley, 2000) by Julie Shackford-Bradley reading autobiographical fiction by Indonesian women writers of the nationalist period: Kartini, Hamidah, Suwarsih Djojopuspito and S. Rukiah Kertapati (ch. 5 on Kedjatuhan dan Hati). Gerwani is not discussed; it appears only in bibliographic notes citing
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Edited volume (KITLV Press, Leiden, 2012) by Jennifer Lindsay and Maya H.T. Liem on Indonesian culture and its international links, 1950-65. Gerwani appears only in passing: Michael Bodden's chapter on Lekra theatre says Gerwani, like Lekra and CGMI, was pressed by the PKI in 1964 to declare itself communist (p. 470, c
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
Bhinneka, October 2015 (Surabaya; ed. Soe Tjen Marching), a 1965 anniversary issue. Women ex-prisoners testify: Hartiti, a Gerwani member, was asked whether she joined the 'naked dance' and castrated the generals; Maria Goretti Sumilah was beaten and burned to confess she was Gerwani; Theresia Kadmiyanti ran a TK Melat
2023 Padjadjaran article reading three short stories by Sugiarti Siswadi (Lekra board member, Gerwani activist, Api Kartini co-initiator) as expressions of her feminism; stories first appeared in Api Kartini 1960-61. Rare study of a Gerwani writer.
Columbia PhD dissertation (2025) by David Borgonjon, the first full-length study of Chinese-language (yinhua) literature in Indonesia 1945-65, set within Sino-Indonesian friendship, Afro-Asian translation and Guided Democracy-era debates on labour and schooling. Gerwani is barely present: a glossary entry gives Gerwani