Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
PhD dissertation (University of Michigan, 2012) by Andrew Conroe: an ethnography of former political prisoners (eks-tapol) and their children and grandchildren in Yogyakarta, centred on the group Fopperham, on memory, silence and uncertain family histories. Gerwani appears through family accounts and events: Bu Marni,
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Tempo explainer (1 Oct 2012) on Kopkamtib, set up by Suharto on 2 Oct 1965 as the 'super organisation' that planned and drove the mass killings and detentions (Komnas HAM names it chief perpetrator). It notes army-controlled media showing Lubang Buaya photos with stories that Gerwani women tortured the generals, and ci
Tempo report (1 Oct 2012) on the Plantungan camp (Kendal) for women Group B political prisoners, opened 1971 in a former leprosarium. Names Gerwani activists and others held there: Sumiyarsi Siwirini ('Lubang Buaya doctor'), Siti Suratih, Mia Bustam, Pujiati, C.H. Sumarmiyati, Mujiati. Covers conditions, 'santi aji' in
Tempo explainer (1 Oct 2012) on victim statistics for 1965-66 (estimates 200,000 to 3 million; most likely about half a million), weighing the Oei Tjoe Tat commission's 78,000, Kopkamtib's 1 million, Sarwo Edhie's 3 million and census evidence. It notes army propaganda about torture of the generals at Lubang Buaya was
Rachmi Larasati's 2013 introduction and chapter on how the New Order erased the dancing bodies of women labelled 'Gerwani' after 1965 and replaced them with state-trained 'clean' dancers performing the same traditions as national heritage. Autoethnographic study of dance and genocide.
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
PhD dissertation in History (UCLA, 2014) by Dahlia Gratia Setiyawan on U.S. anti-communist operations and the 1965-66 purge in Surabaya. Gerwani appears in context: as the PKI's women's affiliate (ch. 1), through the Surabaya women's coalition GOWS in the 27 September 1965 Grahadi demonstration (ch. 4), and in the Army
Pohlman (2015) on 'janda PKI': women widowed in 1965-66 were doubly stigmatised as widows and as 'PKI' women demonised by Gerwani propaganda; four testimonies show sexual violence and exploitation. Gendered stigma analysis.
Tempo feature (8 June 2015; IPT 1965 repost) on 'Genjermania', a Berlin live-music project by Tomi Simatupang raising funds for the son of Genjer-genjer composer Muhammad Arief, killed after 1965; traces the song's Japanese-occupation origin and its 1965 stigma.
Martha Stroud's 2015 UC Berkeley/UCSF medical-anthropology dissertation, based on fieldwork in Yogyakarta (2010-12), examines how the 1965-66 killings shape daily life through propaganda, surveillance, stigma, silence and justice. Gerwani appears mainly as the object of New Order propaganda: the Lubang Buaya mutilation
Tempo.co report (9 Oct 2015) on a Yogyakarta (UIN Sunan Kalijaga) discussion of Saskia Wieringa's book on the destruction of the women's movement. It summarises her argument that the military slandered Gerwani over Lubang Buaya as a pretext to kill; army press libel, and women forced to dance naked while soldiers photo
Pohlman (2016) argues the demonisation of Gerwani created an enduring 'pathological discourse' constraining women's sexual and political citizenship; perpetrators invoked the slander to justify violence, as in the cases of Ibu Susiani and others.
Wieringa's 2017 insider account, as chair of the IPT 1965 foundation, of the tribunal's rationale, genesis (a 2013 meeting with Oppenheimer, Stanley Prasetyo and Nursyahbani Katjasungkana), structure and July 2016 conclusions. Background on the tribunal's organisation.
Charles P. Sullivan's PhD dissertation (History, University of Michigan, 2020) reads Indonesian women's magazines (Wanita, Puspa Wanita, Varia) from 1945-66 to argue that the Lubang Buaya narrative about Gerwani worked as a 'post-text' of long-running anxieties over modernity, moral crisis and the 'Mother of the Nation
Tempo.co fact-check (15 June 2020) debunking a Facebook meme that PDI-P MP Ribka Tjiptaning said Jokowi's mother chaired Gerwani PKI. Ribka never said it (she wrote 'Aku Bangga Jadi Anak PKI', 2002) and Jokowi's mother Sudjiatmi was no Gerwani leader; a biography by Wawan Mas'udi and Ramdhon is cited. Shows Gerwani inv
Tempo feature (3 Oct 2020) on Fanny Chotimah's documentary 'You and I' (DMZ festival award) about Solo ex-political prisoners Kaminah and Kusdalini, Pemuda Rakyat/Gita Patria choir members detained in 1965 and later rejected by family; contrasts it with the Pengkhianatan film's razor-blade scene and the Plantungan docu
Tempo feature (2 Oct 2021, Dini Pramita and Bagja Hidayat) on why Gerwani chair Umi Sardjono (Suharti Sumodiwiryo) said little after 13 years in Bukit Duri (to 1978). Drawn from Ita Nadia, Ruth Indiah Rahayu, others: she wept at accounts of rape and Sudjinah's injury, 'it is my responsibility'; friendships with Fransis
Tempo essay (2 Oct 2021) by I Gusti Agung Ayu Ratih on why Gerwani did not criticise Sukarno's polygamy. It recounts Kowani expelling Gerwani on 29 Oct 1965 and removing Hurustiati Subandrio in 1966, the erasure of Gerwani from women's movement history, Perwari rivalry, Gerwani members' reverence for Sukarno, and anti-
Tempo feature (2 Oct 2021, Riky Ferdianto and Mustafa Silalahi) on Umi Sardjono in Bukit Duri prison (detained 20 Oct 1965, solitary cell as category A, 'Senayan cluster' with Dahliar, Mudigdio, Salawati Daud, Kartinah Kurdi). Witnesses Mudjiati, Utati, Nani Nurani Affandi describe forced confessions of Lubang Buaya da
Op-ed by Ita Fatia Nadia in Tempo (2 Oct 2021) tracing the army-controlled press campaign from 7 Oct 1965 that cast Gerwani as sexually sadistic, contradicted by the military doctors' autopsy (Roebiono Kertapati). It links the slander to the mass killings, Kowani's expulsion of Gerwani (29 Oct 1965), Lubang Buaya volun
Tempo column (2 Oct 2021, Budi Setyarso) using Umi Sardjono's life to argue that 1965 history is still painted in black and white. It notes her arrest without trial, Bukit Duri and Plantungan until 1979, Gerwani's origins in Gerwis, about 1.5 million members by 1960, literacy courses, her immigration and marriage-law w
Tempo editor's note (2 Oct 2021, Moyang Kasih Dewi Merdeka and Seno Joko Suyono) on why the magazine rewrote Umi Sardjono's life. It describes her silence after release, trauma and fear of surveillance (Wieringa 1981, Pohlman 2005), her arrest at Senayan and Bukit Duri detention, the lack of memoir or traces, and sourc
English edition of the Tempo column 'Umi Sardjono and the Annual Ghost' (4 Oct 2021) arguing that 1965 history is still black and white. It uses Umi Sardjono's life (arrest without trial, Bukit Duri, Plantungan to 1979), Gerwani's Gerwis origins, a mid-1960s membership of 1.5 million, literacy classes, her immigration
Tempo English cover story 'Traumatic Burden of 1965' (4 Oct 2021, Dini Pramita) on Umi Sardjono's silence and guilt after release in 1978. Ita Fatia Nadia read her a Medan woman's testimony of gang rape and public parading, and showed Sudjinah's X-ray; Umi wept, saying it was her responsibility. It covers her life in t
English edition of the Tempo editors' note 'Umi Sardjono and Allegations Against Gerwani' (4 Oct 2021, Moyang Kasih Dewi Merdeka) introducing the special report. It describes Umi's silence, trauma and fear of surveillance (Wieringa 1981, Pohlman 2005), her arrest at Senayan and detention at Bukit Duri, the absence of m
Historia.id article (preview only, 2022) on the song Genjer-genjer and its composer Mohammad Arief, countering the film's claim that Gerwani and Pemuda Rakyat sang it by saying it reflects Japanese-occupation suffering and that Arief was a santri's son. Partial text.
PhD dissertation (Northwestern, June 2023) by Sabina Satriyani Puspita in political science on how the 'reformist' women's movement wins policy change through 'stealth politics', using the 2021 Regulation 30 on campus sexual violence. Gerwani appears in historical chapters: the 1965 stigmatisation and the sexual-dance/