Seventeen photographs of the sculptors' group Keluarga Arca installing miniature dioramas (Yani abduction, Lubang Buaya training, recovery of bodies) c. 1980-81, plus later life-size figures. Visual evidence of how the Paseban dioramas were made.
Eight photographs of dioramas and installation work at the Museum Pengkhianatan PKI, including a life-size Supersemar tableau with Sukarno and a woman in kebaya beside him. Visual record of the museum's making.
Java-Bode, 15 March 1956, p. 2: installation of the new film censorship committee (chair Maria Ulfah Santoso) and film council at the education ministry. Among some thirty censorship members is Setiati Soerasto (Surasto), a figure from the 1953 Copenhagen delegation; the item gives no Gerwani affiliation or comment.
Indische Courant voor Nederland, 22 Mar 1956, p. 2: installation of the new Film Censorship Committee (chair Maria Ulfah Santoso) and Film Council; Setiati Surasto and S. Kartowijono are listed among the committee's members.
Inaugural issue of Api Kartini (June 1959), published by Jajasan Melati with Maasje Siwi as editor in chief. Built around Hari Kartini: Kartini's writings and socialist reading, profiles, and contributions from S.K. Trimurti, Rukiah Kertapati and Sulami.
Second issue of Api Kartini (Jajasan Melati, 1959). Covers the Vienna World Youth Festival delegation, West Irian, World Children's Day, Pramoedya's call to publish Kartini's works, an interview with athlete Karnah, and health and household columns.
US Monthly Indonesian Press Survey (1959-60) extracts. A review of the new monthly Api Kartini, published by Yayasan Melati and headed by Maasje Siwi, lists its editors (S. Asijah, Darmini, Parjani Pradono, S.K. Trimurti, Rukiah Kertapati and others). Parliamentary notes list Umi Sardjono (functional group for women) a
Travel essay by M. L. Huber in Women of the Whole World, 1963, on a car journey from Jakarta toward East Java and Bandung, with a sweeping history of Indonesian civilisation, colonialism, the Round Table agreement and 1957 nationalisations, in a pro-Sukarno-era socialist-bloc framing. Gerwani is not mentioned.
Snippet-only Renmin Ribao item (30 Sept 1963, p. 4): a Chinese Fujian puppet troupe arrives in Indonesia at Gerwani's invitation and is welcomed at the airport by Gerwani leaders, including Mrs Suwati (vice-chair), Mrs Mudigdio and the general secretary. Evidence of Gerwani-China cultural exchange. Full text is GA-0190
Xinhua dispatch in Renmin Ribao (30 Sept 1963, p. 4): the Chinese Fujian puppet troupe led by Zhang Fang arrived in Jakarta on 29 September to perform at Gerwani's invitation. Gerwani vice-chair Suwati, Mudigdio and the general secretary (name garbled in translation) welcomed it, with a Chinese Embassy counsellor. Show
Api Kartini (1964) article 'Racism in the Land of Dollars' on discrimination against 19 million African Americans (Birmingham bombing, voting restrictions), condemning also the 10 May 1963 anti-Chinese racist riots in West Java. The page continues with a short piece on a May book fair at Gedung Pemuda and encouraging w
Fragment of a De Volkskrant piece (2 Apr 1973) on press freedom in Suharto's Indonesia, listing imprisoned writers and journalists (Bandaharo Harahap, Oei Hay Djun, Mrs. Sugiarti Siswadi, Mrs. Rusijati, Mrs. Lies Sukatno and others) and rebutting H.B. Jassin's claim of press freedom. Gerwani is not named.
Eleven damaged colour prints (June 1974) of dioramas made by Edhi Sunarso's workshop for the Museum Satriamandala, showing oath-taking, assemblies and possibly an exhumation scene. Uncaptioned visual record of the military museum's historical narrative.
Official record of the first handover, 30 Sep 1975, of 29 dioramas by Edhi Sunarso to the Armed Forces History Centre for the Museum Pusat ABRI. Documents the production of military-history dioramas that fed the 1965 narrative.
Official record of the second and final handover of 29 dioramas by Edhi Sunarso to Nugroho Notosusanto's Armed Forces History Centre, Dec 1975. Shows the Pusjarah project that produced official military history displays.
TAPOL Bulletin no. 15, April 1976. Editorial links East Timor killings to the 1965-66 massacres; the issue devotes pages to a mimeographed East Java massacre report and to translated fictional accounts (Gestapu: Indonesian Short Stories, ed. Harry Aveling). Gerwani appears incidentally: victims included members of the
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
Declassified Jakarta cable (Jakarta 0836, 19 Jan 1978, signed Masters) on P.E.N.'s list of 40 imprisoned Indonesian writers; the embassy has records on nine. Entry 30 reads 'Mrs. Sugiarti Siswadi - reportedly arrested in 1966'. It also notes Pramoedya on Buru, and says those listed were apparently held for suspected in
De Waarheid, 24 Apr 1979, p. 4: review of the BZZLLETIN issue on 'books under restraint', arguing that Indonesian literature is little translated while many writers are jailed under Suharto: Pramoedya on Buru, Bandar Harahap, Buyung Saleh and writer Sudjinah, held since 1966 in Bukit Duri women's prison. Covers Rendra
TAPOL Bulletin No. 46 (July 1981). A note, 'A Hundred Minus Six', reports that a four-volume Indonesian short-story anthology had to drop six writers deemed involved in G30S/PKI, among them S. Rukiah (Rukiah Kertapati), alongside Pramoedya. The same issue covers the banning of Pramoedya's Buru novels. Gerwani is not me
Kerry Groves's ANU MA thesis (1983) on Harian Rakjat, the PKI daily: its stance on press freedom, administration, polemics (e.g. with Merdeka, 1964), content and treatment of leaders, drawing on Indonesian sources and interviews with ex-prisoners. Gerwani appears in Chapter VI (pp.142-149) on the paper's women's column
Harian Neraca, 23 Maret 1989, p. 10: instalment 69 of Soegiarso Soerojo's serial. Presents Lekra's 'setan kota' campaign and the 29 Sept 1965 Front Pemuda demonstration (Gerwani listed) as incitement; claims Pemuda Rakyat and Gerwani military training.
Tempo review (31 Jan 2011) of 'Tjap Merah', a dance piece by Yosep Prihantoro Sadsuitubun (grandson of K.S. Tubun) at GoetheHaus, Jakarta, closing the exhibition 'Indonesia and the World 1959-1966'. It stages the stigma on Gerwani women (Lubang Buaya dancing and castration myth, 'ET' label, Genjer-genjer); he says most
Tempo review (7 Mar 2011) by Martin Aleida of Putu Oka Sukanta's documentary 'Plantungan', screened at GoetheHaus, finding it under-researched. It features former Plantungan prisoners Siti Suratih, Suci Danarti, Pujiati, Mujiati and Sp. Tican and rebuts the Pengkhianatan G30S/PKI film's slander of women; Aleida adds Ta
Ariel Heryanto essay in Tempo (1 Oct 2012) on state terror, propaganda film and the 1965 wound, from Supersemar and the Pengkhianatan G30S/PKI film to post-1998 indie documentaries and The Act of Killing. One passage states Gerwani leaders were detained, raped, tortured and portrayed as immoral mutilators in army press
Wieringa (2014) uses The Act of Killing to argue Indonesian indifference to the film reflects the enduring success of the military's sexual moral panic against communism; discusses a director's-cut scene and levels of silence about Gerwani. Memory and silence.
Dewi Nova Wahyuni's review (2014) of Putu Oka Sukanta's novel Istana Jiwa through its women characters (a CGMI activist and others), read via the image of women's womb and inner life, contrasting with his prior novel on men in prison. Literary context.
Jurnal Perempuan report (28 Oct 2015) on the Jakarta launch of Saskia Wieringa's novel The Crocodile Hole, where she explains arriving in the late 1970s to find only 'domesticated' women's groups and being shocked at Gerwani's disappearance after New Order propaganda. Launch report.
Seven-page liner essay by Arman Dhani, issued with the free download of Dialita's album Dunia Milik Kita (2016), framing it as hearing again voices silenced by 'collective sin' after 1965 and introducing the ten songs and their young arrangers. A guide to the women's choir's repertoire.
Release page for Dialita's free album Dunia Milik Kita (17 Aug 2016, Yes No Wave): ten songs, most written in prison camps (Bukit Duri, Plantungan, Ambarawa, Salemba) or by Lekra composers, arranged by young indie musicians. Documents the choir of women ex-prisoners.